Iseyama Kotai Jingu
The Ise of eastern Japan. It was built as the tutelary shrine of the newly opened port of Yokohama.
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The Ise of eastern Japan. It was built as the tutelary shrine of the newly opened port of Yokohama.
Among the first Japanese museums to collect photography seriously, and the symmetrical anchor of the Minato Mirai axis.
Housed in a 1904 bank whose dome, burned in the 1923 earthquake, was rebuilt; an Important Cultural Property.
One of Yokohama's three towers, built by public subscription, its stairwell filled with stained glass.
Built as a state bonded warehouse, it survived quake and war and now houses exhibitions and performance.
Japan's leading international contemporary exhibition, using docks and warehouses as its conditions, not just its rooms.
Historic bank buildings opened to artists - the model case for linking urban renewal with contemporary art in Japan.
Seven Western houses on the old foreign settlement hill, including work by Antonin Raymond.
Raw silk shipped from this port funded Japan's modernisation; the museum follows the whole process.
For the novelist behind Kurama Tengu, its brickwork matched to the Western houses on the same hill.
Ten thousand dolls from 140 countries, showing how far one shared form diverges between cultures.
Beside a Yayoi moated settlement, where the shape of a ditched village can be walked rather than imagined.
A low white pavilion on the original pier, where art is met in the middle of the harbour rather than in a sealed room.
Where Japan's first Protestant church was raised; the foreign settlement's grid still shapes the streets.
A literature archive rich in book design and illustration - as much about the made book as the text.
A hands-on museum at Minato Mirai in Yokohama, telling the story of instant noodles and letting you make your own.
A hilltop park in Yokohama, looking down on the harbour and the Yokohama Bay Bridge.