Terukuni Jinja
The tutelary deity of Kagoshima, enshrining Shimazu Nariakira. A great torii stands at the foot of Shiroyama.
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The tutelary deity of Kagoshima, enshrining Shimazu Nariakira. A great torii stands at the foot of Shiroyama.
In the Taisho eruption a torii three metres high was buried up to its top rail.
It is still erupting. The 1914 eruption joined it to the Osumi peninsula.
Thick coloured glass is cut back to produce a graded shading. Production died out once and was revived.
This province sent an unusual number of painters into Japanese modern art; the museum collects them systematically.
On the castle site; because this province destroyed its Buddhist art more thoroughly than any other, it also records what was lost.
On a hill facing the bay and the volcano, holding both Satsuma ware and European modern painting.
Japan's first Western-style factory complex; its stone machine shop survives as the built record of an industrial revolution absorbed.
Stone arches nearly lost to flood, dismantled and rebuilt here - the work of Kumamoto masons hired into Satsuma.
The kiln that made the furnace's fuel and the channel that brought its water - the supporting infrastructure, included in the listing.
A technique lost for 120 years, reverse-engineered from surviving pieces - the reconstruction itself the achievement.
In 1868 every temple in the province was abolished and every monk laicised - the most thorough destruction in Japan; what survives was hidden.
Satsuma defended itself with scattered samurai villages rather than a keep; its walls still carry bullet scars from 1877.
Domain metalwork that found an export market in the Meiji era, prized abroad for the fineness of its inlay.
Fermenting jars are sunk into the floor, so the surrounding earth holds the temperature steady.
The lords set pottery, glass and metal workshops in their own castle town and directed them personally.