Nijo Castle Ninomaru Palace
Subject matter and ceiling height change with each room's rank, and every painting is composed for the shogun's own seat.
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Subject matter and ceiling height change with each room's rank, and every painting is composed for the shogun's own seat.
Fifteen stones on 75 square metres of gravel, placed so that from any viewpoint one is always hidden.
Twenty sub-temples bound up with the tea ceremony; many National Treasure tea rooms and dry gardens are still kept closed to the public.
Shigemori Mirei laid gardens on all four sides; the checkerboard of moss and stone brought modern design into the dry garden.
A brick aqueduct runs through a Zen precinct - built after long argument, its design adjusted to sit with the temple.
The height of Momoyama building; its gate is nicknamed the sunset gate, because one loses the day looking at the carvings.
Laid out by Muso Soseki and barely altered in 700 years, taking the mountains behind it into the garden itself.
Three pavilions set diagonally so every room sees a different garden; Bruno Taut's account of it changed how the world read Japanese architecture.
Three gardens up a hillside with working farmland kept between them, and a tea house at the top open to the whole basin.
Rebuilt in the 1850s but researched back to Heian precedent, down to the subjects of its wall paintings.
The only tea room reliably by Sen no Rikyu: two mats, and the first entrance so low that everyone must stoop.
Designed with its own reflection in mind; Jocho's joined-block carving inside settled the technique of Japanese sculpture.
The oldest surviving shrine sanctuary in Japan, its three inner halls sheltered under one Heian-period roof.
The finished form of the hachiman style, two halls joined front to back, with a gilded gutter Nobunaga gave spanning the valley between.
The only surviving ageya of the Shimabara quarter, with a ceiling papered in fans and a room inlaid with shell.