Hillside Streets of Yatsuo
Townhouses raised on stone retaining walls above a cliff - silk and paper wealth expressed as vertical construction.
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Townhouses raised on stone retaining walls above a cliff - silk and paper wealth expressed as vertical construction.
A disused canal kept as water and made into a park - industrial remains recomposed as landscape.
Carving studios line the temple approach, and even the shop signs are carved - the whole town a display.
A 1930 training barque preserved afloat, its rigging standing as pure structure.
Merchant houses at a Kitamae port, opening to the sea with their storehouses ranked behind.
A route climbing 2,000 metres, whose annual snow clearing carves twenty-metre walls - a form remade each spring.
A lord built it for his mother; one room's ceiling is painted in imported ultramarine, a luxury of pure colour.
Three-storey teahouses along the river, with narrow lanes dropping to the water.
A three-tier gate mixing Japanese, Chinese and Western elements, topped with Dutch stained glass.
Roofed in lead tiles that weather white; one turret is built on a rhombus plan to widen its field of view.
Once called Japan's richest village; the shipowners fenced their houses with old hull planks under red tiles.
The merchant street of old Noto, its townhouses still trading, each shopfront designed differently.
Once the head temple of Soto Zen; rebuilt after fire and earthquake, its cloisters still bind the halls together.
Behind the halls lies a primeval wood no one may enter - preserved precisely by being left alone.
Three-storey farmhouses in a deep-snow village, their height built for silkworm rearing.
A Meiji bathhouse rebuilt from its original drawings, tiled in Kutani ware and glazed with stained glass.
Guest rooms painted in ultramarine and red ochre - colour permitted only in the pleasure quarters of a samurai town.
A seaside spa whose inns use Wajima lacquer and Kaga yuzen indoors, putting the region's crafts inside the architecture.
Five-metre bamboo fences packed solid against the winter wind - a wall produced purely by function.
Temples massed at the edge of the castle town for defence - seventy of them, wall after wall, gate after gate.
Timber columns shaped as Noh hand drums, met by a glass dome - a traditional form built by modern structure.
The lord's villa sits so low over the pond that, seated on the tatami, water fills the whole field of view.