Kiso Cypress Forest
A forest saved by the Owari domain's strict felling ban; the timber for Ise Shrine's rebuilding still comes from here.
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904 entries / page 18 of 38
A forest saved by the Owari domain's strict felling ban; the timber for Ise Shrine's rebuilding still comes from here.
Toyo Ito's lattice of thin timber spans the whole hall; fabric 'globes' divide air and light instead of air-conditioning.
A wholesalers' quarter on the river, its lattice fronts once fronting the paper and lantern trades.
A merchant house whose massive beam frame was deliberately left exposed to display the Hida carpenters' skill.
A brewer's house next door, its slender members latticed and lit from a high window so the frame reads as pattern.
In the Nara period Hida paid its tax in carpenters sent to the capital; that lineage runs through everything built here.
A canal of carp running beside white storehouses, the town regulating even the colour of its signs.
Roofs pitched near 60 degrees against the snow, rethatched by the whole village working together under an old mutual-aid system.
Spring water is channelled past every door for washing and firefighting, with strict rules on the order of use.
Below one of Japan's three great mountain castles, a merchant street running 1.3 kilometres.
Gassho houses moved from a valley about to be dammed; visitors can climb into the lofts built for silkworms.
A whole town preserving its Taisho-era offices and clinics, keeping one layer of provincial modernity intact.
Isozaki threaded long galleries down a valley slope, making a central apparatus for the pottery district.
Where Basho ended The Narrow Road; a town of springs, its river landing steps and stone lantern still in place.
A town built around a mine, its company housing stepped up the slope beside the tunnel mouths.
A single track following one valley, so track, river and cherry trees line up and the journey becomes the viewing.
Ieyasu was first buried here, 19 years before the present Nikko shrine buildings; this is the prototype of the gongen style, atop 1,159 steps. A National Treasure.
Sixty years in the building; twenty-six of its halls are Important Cultural Properties, a rare concentration of late Edo polychromy.
Flat tiles fixed to the wall with plaster ridged over the joints - fireproofing that became a black-and-white grid.
Nearly two hundred namako-walled buildings, the plasterers' art left where it belongs - on ordinary houses.
A two-storey sanctuary in a form found nowhere else, beside the spring where the pilgrim route to the summit begins.