Ukimido, Katata
A hall projecting out over the lake, drawn by Hiroshige - a composition made of nothing but water and architecture.
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A hall projecting out over the lake, drawn by Hiroshige - a composition made of nothing but water and architecture.
A missionary who came to teach English and ended up designing 1,600 buildings; this town was his base.
Terunobu Fujimori planted the roof with grass and studded the walls with charcoal - an experiment in blurring plant and building.
Nobunaga's castle, the first with a true keep; a six-metre stairway drives straight up the hill as a demonstration of power.
The home houses of merchants who traded nationwide under a creed of benefit to seller, buyer and society alike.
A Momoyama gate and hall clamped to the slope of an island, extended and relocated until the architecture grips the hillside.
Three ancient temples along one mountain foot; the halls that escaped Nobunaga's burnings are National Treasures.
Vories's 'finest school in the East'; up the stair rail, the hare and the tortoise change position step by step.
The official inn where the two great highways divide, surviving intact - with the register of who slept there and when.
A spring-fed stream runs before every house on the old highway, its underwater flowers marking the water's purity.
Hideyoshi endowed it praying for his mother's life; its steep stone bridge and study garden are designated scenic.
A vermilion gate standing in the lake itself; water and gate alone complete the composition.
Spring water piped into each kitchen and used in strict order - drinking, washing, then carp - the plan of the house set by water.
Windows cut into garden walls so the family could watch the festival floats - a whole town designed as seating.
Townhouses along the outer moat, their eaves and wall colours realigned in recent years to recover the Edo scale.
Subject matter and ceiling height change with each room's rank, and every painting is composed for the shogun's own seat.
Fifteen stones on 75 square metres of gravel, placed so that from any viewpoint one is always hidden.
Twenty sub-temples bound up with the tea ceremony; many National Treasure tea rooms and dry gardens are still kept closed to the public.
Shigemori Mirei laid gardens on all four sides; the checkerboard of moss and stone brought modern design into the dry garden.