Nanzenji and the Aqueduct
A brick aqueduct runs through a Zen precinct - built after long argument, its design adjusted to sit with the temple.
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A brick aqueduct runs through a Zen precinct - built after long argument, its design adjusted to sit with the temple.
The height of Momoyama building; its gate is nicknamed the sunset gate, because one loses the day looking at the carvings.
Laid out by Muso Soseki and barely altered in 700 years, taking the mountains behind it into the garden itself.
Three pavilions set diagonally so every room sees a different garden; Bruno Taut's account of it changed how the world read Japanese architecture.
Three gardens up a hillside with working farmland kept between them, and a tea house at the top open to the whole basin.
Rebuilt in the 1850s but researched back to Heian precedent, down to the subjects of its wall paintings.
The only tea room reliably by Sen no Rikyu: two mats, and the first entrance so low that everyone must stoop.
Designed with its own reflection in mind; Jocho's joined-block carving inside settled the technique of Japanese sculpture.
The oldest surviving shrine sanctuary in Japan, its three inner halls sheltered under one Heian-period roof.
The finished form of the hachiman style, two halls joined front to back, with a gilded gutter Nobunaga gave spanning the valley between.
The only surviving ageya of the Shimabara quarter, with a ceiling papered in fans and a room inlaid with shell.
Masterpieces fired onto ceramic panels and set outdoors; Ando's ramps make you look down on some and up at others.
A vast glass structure dropped into a historic city, with a 171-metre atrium and a stair climbing to the roof - fiercely contested when built.
Most of the village is still thatched, and the rethatching is still done by the villagers together.
Twelve naval warehouses surviving together - a military complex preserved as an ensemble of brickwork.
The garden that shows water without using any was perfected in Kyoto's Zen temples - mountain, river and sea in stone alone.
Rebuilt in 1931 entirely by public subscription; the reconstruction is now itself a registered cultural property.