Sumiyoshi Taisha
A shrine form said to predate Buddhism's arrival: straight gables, four halls ranged toward the sea.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
904 entries / page 23 of 38
A shrine form said to predate Buddhism's arrival: straight gables, four halls ranged toward the sea.
Japan's oldest state temple; gate, pagoda and halls in a straight north-south line - the first plan of Japanese Buddhist architecture.
Paid for by a single stockbroker; won in competition by Okada and detailed by Tatsuno, architect of Tokyo Station.
Given by the Sumitomo family: a stone temple front and a domed stairwell, still a working library.
A club for the cotton trade where every room is in a different style, with interiors as fine as any in Japan.
A white building with rounded corners - one of the first arrivals of stripped modernism in Japanese commercial architecture.
The first tower set an Eiffel on top of an Arc de Triomphe; the present one is by the engineer of Tokyo Tower.
A self-governing town built around a temple, and the only preservation district in Osaka prefecture.
Japan's first open-air architecture museum, comparing farmhouse types from every region on one site.
A sandbar between two rivers dense with public buildings from Meiji to Showa - water and architecture forming the city's spine.
Small 1920s and 30s office blocks in the merchant quarter, faced in Art Deco and even Mayan-revival ornament.
A quarter spared by the bombing, its wooden row houses and alleys now being converted into shops and galleries.
A city of canals and bridges, many of them built at merchants' own expense - their names still carry those origins.
Where the river traffic met the highway; the old boatmen's inn survives as a museum.
Japan's first estate of houses sold to commuters - the model on which railway companies built the suburbs.
Shigemori Mirei laid a dry garden in the keep's yard, its stones arranged as the battle formations of a Chinese strategist.
By Ogawa Jihei, who defined the modern Japanese garden - hidden behind the city art museum.
Giant three-dimensional signs - a crab, a pufferfish, an octopus - built out over the street as the city's own visual idiom.
Visitors spiral downward past the tanks - a building where the route itself decides the order of what you see.
An early example of a full Noh stage built indoors, bridge and painted pine and all.
Houses built by foreign residents after the port opened - German, English and colonial styles mixed along one hill.