Gardens of Sesshu
Two gardens attributed to the ink painter Sesshu, said to apply the composition of his paintings to ground and stone.
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Two gardens attributed to the ink painter Sesshu, said to apply the composition of his paintings to ground and stone.
A thousand vermilion gates climb the hillside in a single line above the town.
The only surviving furnace house of its kind, at the centre of a whole village built around making iron.
Built to receive shrine pilgrims, so the station was designed as a temple rather than in Western style.
A vermilion shrine and a 43-metre stone lighthouse - Japan's tallest - on the same headland.
Glazed with a local stone that fires red, and tough enough for snow and sea wind - the tile that coloured this whole coast.
The castle moat still functions as a working canal; boats lower their roofs to pass beneath the lowest bridges.
A silver-mine merchant's house of thirty rooms, its rising formality readable from shopfront to inner parlour.
The port that shipped the great Sekishu jars out to all Japan, and prospered on the northern trade.
A merchant family enriched by salt and land reclamation, permitted a samurai-style gate their rank shows off.
The house of a salt-field magnate, its parlours and six storehouses surviving intact across a hectare.
Two hipped-gable roofs joined side by side in a form found in only this one building, with a 360-metre corridor down the hill.
A merchants' quarter along the old Izumo highway, 1.2 kilometres of Edo and Meiji townhouses.
Castle-scale stone walls raised on a mountainside to carry one house - copper and pigment money made visible.
An early garden by Kobori Enshu, made in his twenties: clipped azalea as waves, stones as islands.
The only post town where both official inns survive as Important Cultural Properties, with the lords' rooms intact.
A five-storey pagoda standing alone in farmland, an Edo tower on a Nara temple site - two eras in one view.
One dyer suggested each house hang its own curtain; a preservation district gained a layer of colour.
A cotton and salt port, with the temple where the monk Ryokan trained on the hill above it.
A fan-shaped locomotive shed and turntable kept working - industrial geometry left legible.