Ochiai Village
Houses and fields stacked up a slope so steep that top and bottom differ by 390 metres in altitude.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
904 entries / page 30 of 38
Houses and fields stacked up a slope so steep that top and bottom differ by 390 metres in altitude.
Built from windows and doors salvaged across the town, and laid out in plan as a question mark.
Museum, gallery, library and archive gathered on one hill, connected by walking rather than corridors.
The start of a 1,400-kilometre pilgrimage, where the white robe, sedge hat and staff are first assembled.
The storehouses of the indigo traders, built to hold the temperature and damp the fermentation needs.
A thatched house bought and restored by Alex Kerr, and the model case for reviving abandoned mountain homes.
A lighthouse on the easternmost point of Shikoku - reef and tower, and nothing else in the frame.
Houses ringed with stone against wind and wave, the whole hamlet built almost as one structure.
Cedar planted on precipitous slopes and hauled out by sledge; its tight rings go into buildings and barrels.
Stretches were deliberately left unbanked to let floods pass - villages and fields laid out on the assumption of inundation.
A town laid out along its rivers, with landing stages behind the storehouses.
Artist residencies opened the door to migrants and satellite offices - cultural policy that changed a village's demography.
Blue schist set upright in ranks - an unusually forceful dry garden of the Momoyama period.
Eighty-eight temples over 1,400 kilometres, with stone markers turning the distance itself into structure.
Its moat is filled with seawater and swum by sea bream - one of three castles in Japan built directly on the sea.
Thirty-three houses moved from across Shikoku, with an unusual concentration of working buildings - soy sheds, sugar mills.
A daimyo garden whose pond copies the eight views of Lake Biwa, centred on a 600-year-old pine trained flat.
Seven hundred and eighty-five steps to the main hall, and rooms painted by Maruyama Okyo at the top of them.
Japan's oldest surviving playhouse; its revolve and traps are still turned by men working under the stage.
A port enriched by soy sauce and sugar, its white storehouses and merchant homes now open to visitors.
Thatched stages built by island villages themselves, with the sloping shrine ground serving as the seating.
Over twenty breweries still using wooden vats, their walls blackened by the fermenting culture itself.