Honjima of the Shiwaku Islands
An island of famous ship and temple carpenters; the houses they built for themselves still stand.
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An island of famous ship and temple carpenters; the houses they built for themselves still stand.
Kukai is said to have repaired this reservoir in three months, curving the dam into an arch to take the water's push.
Tange translated the timber tradition into reinforced concrete here; the stacked slabs read as wooden eaves.
A village of charred-cedar walls, uniformly black; the art houses are set inside that fabric.
Two and a half kilometres of covered street, its crossings domed in glass - a roof designed for a city.
Enriched by vegetable wax; its plaster is tinted pale yellow rather than white, for 600 unbroken metres.
A wax magnate's house with its workshops intact - the whole process of pressing wax from sumac berries, preserved as architecture.
Ten years in the building; even the flaws in each timber were used as design, and the ceiling is woven to catch light off the river.
Rebuilt in real timber from Meiji photographs and a carpenter's model - the best-documented castle reconstruction in Japan.
Its outer wall is an irregular pentagon, said to be built so besiegers would misread it as a square.
A post town of continuous Edo and Meiji houses, with Western-style buildings mixed in among them.
A pseudo-Western school built by local carpenters, the oldest surviving in Shikoku, with its textbooks still there.
Terraced stone foundations of mine works and housing at 750 metres, left by 283 years of digging.
Kengo Kuma buried an existing hilltop observatory back into the ground to restore the mountain's profile - architecture erased.
A relocated timber school whose 109-metre corridor was kept - and became the course for a floor-polishing race.
A town laid out along a river's bend, its white-walled houses long used as a film location.
Japan's largest shipbuilding town, where hulls in dock and ranks of cranes are simply the everyday view.
The southern temples lie deep in the hills, where the paved pilgrim road and its distance markers survive longest.
Six Kuma buildings in a mountain village of three thousand, each designed outward from locally sourced cedar and thatch.
Local cedar split thin and hung from the ceiling like falling timber; shoes come off, and readers lie on the floor.
A landowner taught himself clockmaking by taking one apart, then built this tower - gears and all - by hand.
Rows of little tile eaves are set partway up the walls to shed typhoon rain - a climate detail that became the elevation.