Shochu Distilleries of Kagoshima
Fermenting jars are sunk into the floor, so the surrounding earth holds the temperature steady.
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Fermenting jars are sunk into the floor, so the surrounding earth holds the temperature steady.
Shaped as a gate but never walked through - a structure built purely so the king could pray at it before leaving the castle.
Part of a royal highway; 238 metres survived the war, walled in stone between great trees.
One of the few gentry houses to survive the war intact, its walls and windbreak trees complete against the typhoons.
A sacred site with no building: two fallen rocks lean into a triangular passage, and the sacred island appears at its end.
Built to work by wind rather than air-conditioning, with 56 shisa on its walls - each named by a citizen.
House plots are dug a metre below the lane to duck the typhoons - the whole village sunk into the ground.
Said to be shaped as a womb - the idea of returning to where one came from, built directly as architecture.
Plaster packed between the tiles to stop the typhoons lifting them - and that necessity produced the island's red-and-white roofs.
Markets and alleys descended from the postwar black market - unplanned, endlessly extended, and still trading.
No buildings: a grove or a rock is the sacred place, marked by nothing but a stone incense holder - hundreds of them across the islands.
A shopping district built under US administration; its English signage and American forms remain as a visible layer.
A screen wall stands just inside each gate to block sight and wind - a Chinese device that took its own form here.
Stones cut into polygons and interlocked without gaps - a Ryukyuan method built on a different idea from mainland walling.
The oldest reinforced concrete building left in Okinawa, and one that stood through the shelling of 1945. A nationally designated Important Cultural Property.
Porous Ryukyuan limestone stacked among subtropical planting - neither the material nor the plants of a mainland garden.