Bingata & Yachimun
Stencil dyeing that carries the colours of the south, and the pottery of Tsuboya. Kilns line Yachimun Street.
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Stencil dyeing that carries the colours of the south, and the pottery of Tsuboya. Kilns line Yachimun Street.
Fifty-two buildings from the Meiji and early Showa eras moved here - nowhere else shows this hybrid frontier architecture together.
The red brick prefectural office of 1888: American neo-Baroque adapted to a northern climate, and an Important Cultural Property.
A former courthouse in soft stone; a restored courtroom sits beside rooms given over to citizens' exhibitions.
A timber Western hall on the slope above the port; its original furniture and blue-and-yellow colour scheme show what the trade was worth.
The birthplace of Japanese Orthodoxy: white walls, green domes and the icons inside, all designated together.
By Kingo Tatsuno, architect of Tokyo Station, at the centre of what was called the Wall Street of the north; entry is free.
Designed by William Merrell Vories as a missionary couple's home, and the leading example of his work in Hokkaido.
The shop and residence of a family enriched by herring, kept complete - draper, shipowner and household in one Important Cultural Property.
An Edo town rebuilt at full scale; the accuracy of the carpentry makes it a place to check period stage design on foot.
A Gothic church whose altar was a gift from Pope Benedict XV, on a slope where Orthodox, Anglican and Catholic churches stand together.
Hokkaido's only castle town rebuilt fourteen of its buildings to show the port as it was - the northern limit of Kyoto-derived culture.
A shipping agent's house built into a slope, with the hoist that lifted cargo straight from the water still in place.
Kunio Maekawa, central to Japanese modernism, left eight buildings in his mother's home town - his first and last work within one walk.
A three-storey timber library with octagonal towers at both corners - a provincial master carpenter's reading of Western architecture.
A former bank, Western outside and finished in Tsugaru lacquer and plaster within - the mixture is the point.
An Anglican church whose brick spire stands out sharply among the town's timber Western buildings.
A timber Gothic church holding a 19th-century altar given to it by a church in Amsterdam.
A businessman's villa using the drop of a cliff to hold two different gardens, with Mt Iwaki borrowed as the backdrop.
Wooden arcades built out over the street against snow, surviving as they were in the Edo period.
A rice merchant's house of 1763, its roof kept low throughout to shed the weight of snow.
A ferry from the eighty-year Aomori-Hakodate route, kept at its berth as a museum you can enter down to the engine room.