Echizen Washi
A papermaking district of 1,500 years. The shrine to the deity of paper stands in the village.
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A papermaking district of 1,500 years. The shrine to the deity of paper stands in the village.
A post town on the Saba Kaido, the road that carried Wakasa fish to Kyoto.
Oil warehouses. This was the port town of the Europe-Asia through trains.
The lord's villa sits so low over the pond that, seated on the tatami, water fills the whole field of view.
A religious city of 6,000 lodgings, now under moss - only the stone paths still run through the forest. A National Historic Site.
Its cypress-bark roofs flow from hall to sanctuary in overlapping waves - said to be the most complex shrine roof in Japan.
The teahouse quarter of a Kitamae port, its red-ochre lattices recalling the pleasure districts of Kyoto.
Its eleven-metre wooden torii is counted among Japan's three greatest, with Kasuga and Itsukushima.
One of Japan's twelve surviving keeps, and the only one roofed in split stone tiles.
A Kitamae port whose townhouses show a gable to the street and run deep behind it.
On a 249-metre peak; when autumn fog fills the basin, only the keep shows above it.
A post town on the northern highway, its continuous townhouse frontage preserving the scale of the old road.
A temple keeping the old fusion of Shinto and Buddhism, and still sending the water used in Nara's Omizutori rites.
The complex framing and carving seen at Otaki Shrine runs through temples and shrines across the province.
Walls of bluish Shakudani stone, quarried here and shipped as far as Hokkaido by the Kitamae ships.
A habutae silk town whose brick and saw-tooth mills survive, some converted into exhibition space.
A cliff-top fortress over the bay, fought for again and again as the link between the northern sea and Kyoto.
A market held on the same street since the 1580s, the goods still laid straight on the ground.
Houses stacked in the narrow gap between cliff and sea, boat sheds lining the water's edge.
A Meiji spa town whose large wooden inns still use Echizen lacquer and paper inside.
Murasaki Shikibu spent a year here with her father; the park rebuilds a Heian villa garden around that fact.