Hakata Ori
Obi sashes in the kenjo pattern. The dolls are unglazed clay, painted after firing.
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Obi sashes in the kenjo pattern. The dolls are unglazed clay, painted after firing.
Head shrine of all Tenmangu; its temporary hall, by Sou Fujimoto, carries a living grove on its roof.
Where the float festival begins; one decorated float stands here all year, so the doll-makers' work is always visible.
Where Japanese heavy industry began; its red-brick head office survives inside a still-working steelworks.
The steel headframe of a pit that fuelled Japan's industrialisation - including its reliance on convict labour.
Four hundred and seventy kilometres of canal serving daily life, farming and defence at once - saved from being filled in by residents.
A daimyo villa whose pond stands for the sea, ringed by 280 pines, with Western and Japanese wings joined.
A town of altar and lantern makers, where the workshops face the street and the houses are behind them.
A coal magnate's mansion, keeping the rooms and garden he prepared for his poet wife.
Its south face steps up in fourteen planted terraces; the 76 species planted have grown past 120, carried in by birds.
Isozaki commissioned six architects to build one block each; the experimental flats are still lived in.
Twice a year the setting sun lines up exactly with the approach, laying a band of light to the sea.
A canal cut through the middle of the site with curved buildings on both banks - a design that changed Japanese retail architecture.
A relocated Meiji weaver's house, with hand-weaving and top-spinning demonstrated inside it.
A castle moat turned park, modelled on West Lake in China, crossed by islands and bridges.
Whether it ever had a keep is still argued; the scale of the walls shows it was among Kyushu's largest fortresses.
A trading company's club in half-timbered style, keeping the room where Einstein stayed exactly as it was.
Rebuilt in fireproof earthen construction after a great fire, with water channels running through it.
Stages villages built for themselves, with the sloping shrine ground serving as the audience.