Shumpu Banriso
Rosanjin's own house, moved from Kamakura - the garden and tea room shaped by a potter's eye.
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Rosanjin's own house, moved from Kamakura - the garden and tea room shaped by a potter's eye.
A full-scale reconstructed Edo town where craftsmen actually work in the buildings.
Among Japan's most visited temples, with a rare octagonal pagoda and an approach ringing with candy-cutters' knives.
A Meiji bathhouse rebuilt from its original drawings, tiled in Kutani ware and glazed with stained glass.
Isozaki threaded long galleries down a valley slope, making a central apparatus for the pottery district.
A lane paved and walled with discarded clay pipes and bottles - industrial waste become the fabric of the town.
A castle town of grid streets, and a porcelain so white that its patterns are cut into the body rather than painted on.
Glazed Sekishu tiles resist snow and salt, and their red is what gives this coast's towns their colour.
Built by the tea-master lord whose taste is why this town still has its tea and its sweets.
Glazed with a local stone that fires red, and tough enough for snow and sea wind - the tile that coloured this whole coast.
A copper and red-ochre town where every house is painted in the pigment it made, under matching red tiles.
A naval commander's residence joining Western and Japanese wings, its walls hung with embossed gilt-leather paper.
A merchant town whose goldfish lanterns are said to have been invented after a trader saw the Nebuta floats up north.
A wax magnate's house with its workshops intact - the whole process of pressing wax from sumac berries, preserved as architecture.
Where the float festival begins; one decorated float stands here all year, so the doll-makers' work is always visible.
A town of altar and lantern makers, where the workshops face the street and the houses are behind them.
Two kilometres of kiln town, its alleys walled with tonbai - broken kiln brick and shards set in clay.
Walls built from demolished kiln brick and rejected pots set in clay - industrial waste become a townscape.
Arita porcelain shipped from this port, which is why the world came to call it Imari instead.
Chambered kilns stepped up the hillsides; the slope and the number of chambers decided the firing.
A replica of the Zwinger, built by the Saxon elector who bought Arita porcelain by the shipload - the export destination made visible.
The remains of a 160-metre climbing kiln of 33 chambers - among the largest ever built anywhere.