Craft Studios of Nasu
Not a craft district but a scattering of individual studios, built up by artists who moved here.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
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Not a craft district but a scattering of individual studios, built up by artists who moved here.
Five hundred stalls twice a year, the model on which Japan's other pottery fairs were built.
Casters here supplied temple bells across Japan; the inscriptions let their lineage be traced.
Arata Isozaki built it from pure cubic grids - a museum that asks in form what a museum is.
Themed on nature and humanity, and holding one of the world's major collections of Francois Pompon's animals.
In its grounds stands a copy of Antonin Raymond's own house - a key example of Japanese modernist domestic architecture.
A closed department store turned civic art museum, working out into the streets as part of city renewal.
The largest holding of Shunsuke Matsumoto's work in Japan, in a hillside company dormitory converted into galleries.
Ranked with Nishijin as Japan's other great weaving city; seven of its techniques are designated together.
Gallery and library are not separated but wound together by ramps, readers and viewers sharing one space.
Isozaki's black gabled sheds hold contemporary art in one wing and old Japanese art, shown as if in a tea room, in another.
Eight in ten of Japan's daruma dolls are made here, their brows drawn as cranes and beards as tortoises.
The tallest Kannon in the world when built in 1936, of reinforced concrete, climbable to nine storeys.
For an artist who paints with the brush in his mouth; its plan of interlocking circles won an open competition of 1,200 entries.
Threads tied and dyed before weaving; as meisen it clothed a generation of Japanese women.
The temple of the tanuki-turned-kettle folktale, its approach lined with badger statues.
Its long gentle slopes appear again and again behind the paintings of Gunma's modern artists.
Paired male-and-female stone deities stand at roadsides; the province is dense with them.
Buddhas cut into the rock at the foot of Mt Haruna, tracing a line of provincial stonemasons.
Design classics are set out to be sat on; Kisho Kurokawa's grid facade opens onto the park.
One of the few museums in Japan collecting book art - the made book itself treated as the work.
The world's first public bonsai museum, beside the village founded by Tokyo growers who fled the 1923 earthquake.
Keeps a room for Kyuichiro Aihara, a Kawagoe native who spent his life painting Hokkaido.