Ichii Wood Carving
Carved from yew and never painted, so the wood's red and white heartwood does the work and deepens with age.
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Carved from yew and never painted, so the wood's red and white heartwood does the work and deepens with age.
Clear lacquer that reveals rather than hides the grain, so choosing the wood decides the finished piece.
A small municipal museum built around glass, with a programme for local makers.
Dyed in live indigo vats without chemicals, then rinsed in the winter river - a sight the town turns out for.
Much of Japan's plastic food comes from makers born here - a craft of making a dish look better than the dish.
Large historical scenes by a Nihonga painter who researched every detail before he drew it.
A warrior tea master from Mino who broke symmetry on purpose - the man who introduced deliberate irregularity to Japanese form.
Woodworker, carver, lacquerer and metalsmith each take a stage, the town's carpentry tradition carried into furniture.
A paper district that also developed the folding and knotting of paper - wrapping and tying as form.
A dance held on thirty nights of the year, its rhythm made by clogs striking the stone street - the pavement as instrument.
A great Buddha of bamboo, sutra-covered paper and lacquer - built not of bronze or wood but of paper.
Collecting landscape painting East and West, with a Rodin wing of 32 works including the Gates of Hell.
No collection of its own; a gallery set inside a station-front commercial building, in the middle of the commute.
For the Living National Treasure of stencil dyeing, in a stone building that ranks among Seiichi Shirai's best.
Bamboo shaved into round rods and slotted together - other regions use flat splints, so its curves are unique.
Begun when Ieyasu gathered craftsmen at his retirement capital, and carried from vessels into furniture.
Three National Treasures, in galleries remade by Hiroshi Sugimoto in black plaster to rebuild the light for the objects.
Collects 20th-century art on one theme alone - the human figure; Japan's first museum devoted to that century.
A Buddhist wing and a modern wing, built on decades of surveying the Buddhist sculpture of the peninsula.
For Chohachi Irie, who modelled pictures in plaster with a trowel; plasterers came from all Japan to build the museum itself.
A private museum of Japanese swords, its lighting designed specifically to reveal the grain and temper line of a blade.
A Kamakura-period lacquer box, National Treasure: plum branches in gold powder with shell inlay, a summit of medieval craft.
Built for a living painter; the world's largest holding of Bernard Buffet, in a building by Kiyonori Kikutake.
A corporate collection shown free to the public, in an early Yoshio Taniguchi building that won the architectural institute's prize.