Toyota Municipal Museum of Art
Held to be Yoshio Taniguchi's finest work: white volumes over water and lawn, the route framing view after view.
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1,718 entries / page 23 of 72
Held to be Yoshio Taniguchi's finest work: white volumes over water and lawn, the route framing view after view.
For a painter who kept working in an era that gave women little room, on the site of the house where she was born.
Most of Japan's woollen cloth is woven here; the district supplies luxury suiting worldwide alongside Italy.
For an artist who moved freely between craft and painting; small, but nationally respected for its exhibitions.
Japan's only museum of roof tiles, re-presenting an industrial product as form.
Floats hauled down onto the beach itself, their carvings and embroidered hangings standing on the sand.
Built inside like a miniature temple, finished by five separate trades working in sequence.
Narrowed to modern Nihonga and especially bijinga, with a substantial group of works by Uemura Shoen.
A Buddhist temple enshrining a fox deity; a thousand donated stone foxes stand massed in one corner.
Masons summoned to build the castle stayed; the town became Japan's source of stone lanterns and figures.
A red demon and a tengu do battle and scatter white powder; the masks are repaired and handed down.
Systematic in Soga Shohaku, the eccentric Edo ink painter who stayed long in this province and left his work behind.
Holds the tea bowls of Kawakita Handeishi, a banker-potter ranked in his day beside Rosanjin.
Stencils for dyeing kimono, sometimes cut with over a hundred holes per square centimetre - admired abroad as art in themselves.
Soot from burnt rapeseed oil kneaded with glue; the fineness of the particles decides the ink's colour and bleed.
Eighty percent of Japan's clay pots; the district developed a heat-proof body, and its unglazed teapots fire purple-brown.
Casting since the Edo period, from cooking pots to - today - a large share of Japan's manhole covers.
Multiple cranes folded from one sheet, still joined; a 1797 book records 49 different configurations.
Permanently shows Masuo Ikeda's late ceramic Heart Sutra series, in a sculpture garden facing the Suzuka range.
Striped cotton that swept Edo: sober enough to slip past sumptuary law, but luxurious in the quality of its thread.
Silk threads crossed on a wooden stand; the craft moved from sword cords to kimono sashes and survived.
Candle making began in the Showa period and developed as a local industry; the Japanese candle is wound from paper and rush pith.
Paper lacquered and embossed to pass as leather, made for pilgrims, lost, and recently reconstructed.