Kiyomizu Sannenzaka Museum
Meiji export craft only: metalwork so fine that every leg and wing of an insect is separately made.
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Meiji export craft only: metalwork so fine that every leg and wing of an insect is separately made.
Named for the camp of a 15th-century war where the weavers regrouped; still built on small runs and divided labour.
Paste is drawn along every outline to keep the colours apart, leaving the fine white line that identifies the technique.
Not tied to local clay: materials were brought in from everywhere to meet each commission, which is why the styles multiplied.
Mica pressed from woodblocks onto paper by hand, so the pattern appears and vanishes as the light moves.
A 120-metre hall holding 1,001 life-size Kannon; 124 survive from the 1100s, and no two faces are the same.
Six tiny Amida figures issue from the monk's mouth - the act of chanting itself rendered as sculpture.
Tadao Ando buried a concrete cylinder beside a Taisho English villa; Monet's water lilies hang inside the circle.
Kamakura-period Buddhas carved into roadside rock; the walk from temple to temple is itself the gallery.
Called a moving museum: Persian and Flemish textiles imported in the 1500s still hang on the floats every July.
Silk hard-twisted then shrunk in hot water to raise its crinkled surface; most of Japan's undyed kimono cloth is woven here.
Head, hair, limbs and costume are each made by a different specialist - the division of labour on which nearly all Kyoto craft runs.
With every sect's head temple in one city, demand never stopped; more than ten trades touch a single altar.
On the site of the Sumitomo residence, with holdings of Chinese painting and stone Buddhas among the best in Japan.
Forty years from conception to opening; a black box hollowed out at its centre, with the galleries hung in the void.
Every gallery is underground; above ground stands only a steel facade, the building itself invisible.
Held to be the world's finest collection of Chinese and Korean ceramics, shown in cases lit by daylight so the celadon reads true.
Fujita Denzaburo bought up treasures scattered when Meiji Japan turned on Buddhism; his Yohen Tenmoku is one of only three.
Tea utensils gathered by the founder of the Kitcho restaurants - vessels chosen by a cook's eye.
The collection of the man who built the Hankyu railway, holding the largest group of paintings by the haiku poet Buson.