Abashiri City Museum of Art
One of the older municipal museums in the province, built around Kaichi Igushi's paintings of the Okhotsk fisheries.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
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One of the older municipal museums in the province, built around Kaichi Igushi's paintings of the Okhotsk fisheries.
Unusual in collecting calligraphy as its central pillar, around Ogitei Kaneko, who founded modern verse calligraphy.
Four historic banks and warehouses turned into one museum complex; the stained glass came from English churches.
Three local artists get permanent rooms, among them Yutoku Ichihara, who printed from corroded metal plates.
A glassworks that made fishing floats and oil lamps; a hall lit by 167 of those lamps became the image of the whole town.
A sculptor turned a closed mine town's school and playground into a seven-hectare field of marble you may touch and sit on.
The painter behind a famous novel's protagonist; he fished for a living, lost his early work to fire, and kept painting.
Some three hundred Picasso prints on a hill above the Japan Sea - an unexpected centre of Western art in a small town.
A painter who began in Surrealism, returned home, and spent the rest of his life on one mountain and its animals.
Art and archaeology in one museum, with the paper and port industries that made the town treated as a third strand.
A museum built from citizens' donations in a steel town, and collecting the paintings its factories provoked.
In a brick-making town: exhibitions of ceramics beside a workshop where visitors handle the clay themselves.
A small museum inside a commercial building by the station, built on two local painters and changing its shows often.
Art and natural history under one roof - Sorachi printmakers beside the fossil sea cow dug up in the city.
A small municipal gallery by the lake, showing landscape and daily life in a district that has lived through repeated eruptions.
Its galleries imitate the walls of an excavation trench; it holds three of the four vast backdrops Chagall painted for the ballet Aleko.
A residency where artists come to make work, wrapped by a long concrete arc that Tadao Ando drew through the forest.
A Meiji cider factory turned contemporary art museum, on the site of three Yoshitomo Nara exhibitions, converted so the building keeps its memory.
Kogin stitching filled scarce hemp cloth with cotton thread; the workshop still does it by hand, inside Maekawa's very first building.
Festival floats shown beside working demonstrations of lacquer, kogin stitching and goldfish lanterns, close enough to question the makers.
A hall for gathering comes before the galleries here - a design argument that won the Architectural Institute of Japan prize.
Two 13th-century suits of armour, both National Treasures; the red-laced one is among the most ornamented to survive anywhere.
Each artwork gets its own white box, linked by glass corridors; the works spill outdoors until the whole street is the exhibition.
A Surrealist-inflected painter from this town, shown beside the collection of lamps from around the world he assembled.