Anno Art Museum
For a picture-book artist known worldwide for books without words, in a tile-roofed building by Hiroshi Naito.
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For a picture-book artist known worldwide for books without words, in a tile-roofed building by Hiroshi Naito.
Collects and exhibits children's own drawings, and does not separate the making from the looking.
Started by five young men, guided by the mingei leaders, and still making unsigned everyday ware by policy.
An ancient court dance lost on the mainland but preserved on the island, its masks and robes medieval.
Said to have begun to console an exiled emperor, and still ended in a deliberate draw.
A tea-master lord's taste made this one of Japan's three great confectionery towns; the moulds are carvings in themselves.
Masks are built from layered paper to stay light for violent dancing; the embroidered robes can cost millions of yen.
Dancers wear heron wings in a form that died out in Kyoto and survived only here.
Boats built from island timber, the curve of the hull adjusted to the sea each village works.
Shinto deities carved in human form survive here - made with Buddhist technique but in different dress and mood.
A tabi and school-uniform town that made Japan's first jeans; its old shuttle looms now supply the world.
Woven slowly on old looms so the yarn keeps its air; the cloth moved from ships' sails to bags.
Built around Sesshu, born in this province, and holding ink paintings by the swordsman Musashi as well.
Built on the Ikeda lords' collection, with a holding of Noh robes among the finest in Japan.
In Yumeji's home province, with his birthplace and the studio he designed himself both preserved.
A ruined copper refinery turned museum without demolition, conditioned by sun and geothermal air alone.
The oldest of the six ancient kilns: no glaze, no painting - only what ash, flame and straw leave on the clay.
A museum centered on Bizen ware, ceramics and art, from medieval storage jars to living masters - the full range of what fire alone can do.
The artworks were chosen first and the building designed around them - including a cylinder with Ryoanji's rock garden on its inner wall.
Kasuri farmers once wove for themselves; the craft died out and has been brought back.
The making of red iron-oxide pigment, which went into Kutani porcelain and Wajima lacquer alike.
For a sculptor who carved until he was 107, and who past a hundred bought thirty years' worth of timber.
Centred on the bird-and-flower painter Kinjima Keika, in a small private museum built as one with its garden.
For a painter of the Inland Sea in high-keyed colour, and the museum lets you watch him leave his teacher's manner behind.