Awa Wasanbon Sugar
Sugar kneaded by hand and pressed into carved wooden moulds - the moulds themselves carved down the generations.
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Sugar kneaded by hand and pressed into carved wooden moulds - the moulds themselves carved down the generations.
Vats sunk into the floor and kept fermenting with lye; the fire under them is never allowed to go out in winter.
A greenish schist that splits into flat slabs, shipped nationwide for gardens and stone monuments.
Heian and Kamakura images survive along the pilgrim route - the pilgrimage itself acting as their protection.
Indigo money paid for the floats; the carving and embroidery record the merchants' wealth.
The furnishings of a domain enriched by its indigo monopoly - the economy visible in the lacquer.
Umbrellas and lanterns of bamboo and paper, some covered in indigo-dyed sheets.
Indigo-rich farming villages could afford altars, and so a whole trade grew to supply them.
The house behind a famous puppet play, now performing it daily so the handling can be watched at close range.
Buried entirely underground to spare the island's skyline, showing three artists only, and lit by daylight alone.
A museum you can sleep in; artists chose their own sites here and made the works for those places.
For an artist who works only in stone and steel plate, half-buried in a valley between hill and sea.
An old house rebuilt with red glass in the garden so the whole site reads red, and a mirrored tower at its edge.
Postwar art and Sanuki lacquer as twin pillars - this province has produced an unusual number of Living National Treasures.
Noguchi's studio and stone yard kept exactly as he left them - finished and unfinished works standing side by side.
Granite so fine-grained it is called the diamond of stone; Noguchi settled here to work it.
Three techniques that all cut into built-up lacquer; the province has produced an unusual number of Living National Treasures in them.
Plant-dyed thread stitched over a ball into geometric patterns; the craft died out and was reconstructed.
Nine in ten Japanese fans; handle and ribs are split from a single length of bamboo.
Sugar pressed in cloth again and again to draw off molasses, then formed in carved wooden moulds.
Threads floated at intervals to raise the surface, so the cloth barely touches the skin in summer.
Made as offerings for the great shrine, using a technique that winds a single bamboo strip in a spiral.
Over eight hundred lion troupes in one prefecture, each with its own embroidered body cloth.