Tosa Blades
Forged without templates, each blade shaped to its order - a trade built on hatchets and sickles for mountain work.
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Forged without templates, each blade shaped to its order - a trade built on hatchets and sickles for mountain work.
Begun as a domain industry, and still turning out the same everyday jars and bowls.
A street market held for over three centuries; once a week a city avenue changes character entirely.
Red coral from these waters, carved over months by hands working a material that shatters if pushed.
To make paper 0.03 mm thick the screen itself must be woven that fine - the precision starts with the tools.
Rich forests made this a woodworking province; its altars pass through carving, lacquer and gilding in turn.
A mountain valley keeping a rite descended from Onmyodo, whose paper-cut implements have a form of their own.
A paper province that also made the goods; thickness and fibre are varied for each intended use.
Local masons' habits show in these guardian lions, most set low to survive typhoons.
Flat-bottomed boats for shallow water, their shape decided by the river rather than by pattern.
Fighting dogs are dressed in embroidered aprons modelled on sumo champions' - a rare case of ceremonial textile on an animal.
A late Maekawa building, holding everything from Buddhist sculpture to contemporary art, low along a park lake.
The only museum in the world systematically collecting modern and contemporary Asian art, and inviting its artists to work here.
Holds the work of Takashima Yajuro, a recluse who painted the same single candle again and again.
Warp packed dense and beaten with heavy weft, so the sash creaks when tightened; its pattern derives from Buddhist implements.
Unglazed and then painted, the surface kept deliberately matt so the skin reads as skin.
Two square tubes projecting horizontally from a hilltop - nicknamed the binoculars, and a key early Isozaki.
At the heart of a cultural centre the Bridgestone founder gave his home town, built around two painters born here.
Said to have been invented by a twelve-year-old girl who noticed the pattern in a faded cloth; now an Important Intangible Cultural Property.
Built inside like a miniature temple, and finished by seven separate trades in sequence.
A single bamboo strip wound as a spiral for the frame, and the picture painted from inside so it shows when lit.
Its chatter-marked surfaces are cut by holding a blade to the spinning pot; Yanagi held it up as the model of useful beauty.