Takatori Ware
Founded by Korean potters and redirected to tea ware under Kobori Enshu; known for throwing extraordinarily thin.
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Founded by Korean potters and redirected to tea ware under Kobori Enshu; known for throwing extraordinarily thin.
A tea kiln opened by Korean potters under the Hosokawa lords, light in the hand and marked by running glaze.
Eighty thousand objects from a sacred island, all National Treasures - five centuries of state offerings left untouched.
Where the gold seal was found; a tied island whose very geography explains the ancient sea routes.
Thin boards bent with heat and stitched with cherry bark, made originally for shrine ritual.
Unglazed clay dolls, best known for a bird-shaped whistle; one workshop still keeps the moulds.
Tops made for street performance, weighted so precisely they will spin on the tip of a sword.
Timber came here by river and shipwrights' joinery turned into cabinetmaking - now Japan's largest furniture district.
Not a craft district but a scattering of individual studios, formed by people who moved here for the coast.
Six thousand warp threads to a single sash; the density decides both the sound and the grip, so one hand oversees it all.
An architecturally awarded building, holding the painter Okada Saburosuke and the province's porcelain.
Japanese porcelain began when a Korean potter found the right stone here in 1616; within decades it was shipping to Europe.
Torii, guardian lions and railings are all porcelain - a pottery town built even its shrine from its own material.
Its milk-white body and sparing use of colour were copied across Europe and shaped Meissen's own style.
Hereditary enamellers to the Nabeshima lords, keeping a technique where ink drawn on the glaze burns away and leaves white.
To stop the technique leaking, the potters were gathered in a valley ringed by sheer rock mountains and controlled by a checkpoint, firing items for the clan lord and gifts for the shogun and other daimyo.
Made as presentation and gift ware, never for sale, so nothing was compromised; red, yellow and green are layered over underglaze blue, and even the underside and foot ring follow a fixed standard.
Ranked third among tea wares after Raku and Hagi; its coarse clay and quick iron-drawn grasses were chosen for their plainness.
Floats built from hundreds of layers of paper finished in lacquer and gold - light, strong, and still hauled after two centuries.
A district with no fixed house style, and lately one that works with outside designers rather than tradition.
Gold-leafed paper slit into warp threads and woven with silk - said to have been conceived by a lord's wife studying her ceiling.
Said to descend from Mongol prisoners of the 13th-century invasions; its dove whistles died out and were revived.
Large, strongly coloured clay dolls in the Hakata manner, kept going by a single workshop and its moulds.