Arita Ceramic Fair
Four kilometres of stalls and half a million visitors - the whole district's output visible in one week.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
1,718 entries / page 37 of 72
Four kilometres of stalls and half a million visitors - the whole district's output visible in one week.
A strongly Pure Land region kept the altar trade alive, its lacquering, gilding and metalwork divided between hands.
Cotton rugs knotted one stitch at a time as domain tribute; the craft lapsed and was reconstructed.
At its 400th anniversary the district began pairing kilns with foreign designers - a tradition deliberately updating itself.
Clay compacted by beating with a paddle rather than thrown - a Korean method still in use here.
Two blocks straddling a canal, joined by a bridge, holding Japan's foremost collection of Spanish art.
One hand raised toward the bomb, the other held level for peace - a decade's work and, at the time, among the largest bronzes cast in Japan.
Porcelain made cheap enough for ordinary households - the ware that put porcelain on the Japanese table.
The Hirado domain kiln, known for Chinese children painted in blue and for pierced openwork carved into the body.
Shell joined by heat and pressure alone, with no adhesive; the skill lies in reading which piece is clear enough.
Padded with cotton so dragons and lions stand out in relief, used on the hangings of the great autumn festival.
Souvenir prints of foreign ships and visitors - and the earliest Japanese pictures to use Western shading.
A Maekawa building inside the castle grounds, with decorated tomb chambers rebuilt full size to be entered like the originals.
On the third floor of a shopping building and run together with a bookshop, with permanent rooms commissioned from artists.
Miyamoto Musashi died in this city; the museum holds his own writing and the wooden swords said to be his.
Fine grooves cut into iron and filled with hammered gold and silver - a sword-fitting craft now turned to jewellery.
Pull the string and its eyes roll and its tongue shoots out - a papier-mache doll said to model a retainer of Kato Kiyomasa, with its prototype said to date from the Kaei era.
Eighty percent of Japan's porcelain stone comes from this island - Arita and Hasami both depend on it.
Shrines and castles built from paper and paste alone - hollow, frameless, and light enough to dance with on the head.
Paper toughened with persimmon tannin - insect-proof, water-resistant, and darkening with use.
White straw-ash glaze ladled over a dark iron body - a kiln the Hosokawa lords opened with Korean potters.
Geometric patterns stitched over a ball; a pastime of the lords' daughters that became a common toy.
Fire is swung in circles at Aso's rites; each village's masks are carved differently and repaired down the years.