Bamboo and Wood of Kumamoto
A bamboo province making baskets and farm tools, their forms arrived at purely through use.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
1,718 entries / page 38 of 72
A bamboo province making baskets and farm tools, their forms arrived at purely through use.
Stone figures set around burial mounds, carved from Aso welded tuff and found almost only in northern Kyushu.
Its ground-floor glass folds fully open so street and gallery become one floor, under a timber lattice copying the province's basketry.
Built around the literati painter Tanomura Chikuden, and the tradition of painting as a scholar's sideline.
Among Japan's largest cliff carvings; up a wild flight of stone steps, a fierce deity that appears to be smiling.
The only cliff carvings in Japan designated National Treasure - 61 figures cut into soft tuff, which gave them their rounded faces.
Begun as souvenirs for spa visitors and now producing Living National Treasures, built from eight basic weaves.
If space is available, admission is possible without a reservation; Kuma set black charred-cedar boxes to borrow the mountain behind them.
A stone pagoda form found only on this peninsula, its base carved with lotus petals unlike any elsewhere.
Literati painting took root around Taketa, where picture, poem and calligraphy share one sheet.
A papier-mache daruma in female form, drawn from a samurai wife's story and still made by one family.
Cedar planted under direct shogunal management; at one point this town made more wooden clogs than anywhere in Japan.
Stone Buddhas and pagodas scattered across the whole peninsula - the soft tuff made carving easy and the tradition dense.
Each hamlet has its own troupe, repairing and reusing masks whose carving betrays which troupe they belong to.
Cliff carvings across the province; with Usuki, Oita has the densest concentration of them in Japan.
Artists here moved from weaving into free sculpture in bamboo - a craft district that crossed into contemporary art.
As head shrine it drew offerings from all Japan; the pictures on its votive plaques show what each era prayed for.
Twenty thousand bamboo lanterns cut and lit along the streets, so the town's plan appears as lines of light.
A peninsula far from the capital that kept many Heian and Kamakura images - enough to compare provincial hands.