Sekishu Washi Center
The Sekishu Washi Center in Hamada. Visitors can try papermaking.
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The Sekishu Washi Center in Hamada. Visitors can try papermaking.
Hirose kasuri from Yasugi. It is dyed with indigo and woven into pictorial kasuri. Large designs are its hallmark.
Izumo mingei paper from Matsue. A washi paper started by Abe Eishiro, it was valued by the mingei folk craft movement.
Stone lanterns from Matsue. They are carved from Kimachi stone, a tuffaceous sandstone. It is soft and moss grows on it easily.
Unshu abacuses from Okuizumo. Three kinds of wood, smoked bamboo, Japanese apricot and birch, are each put to their own use.
Itto-bori single-knife carving from Izumo. Subjects from mythology are carved.
Wooden dolls from Izumo. Wood is turned on a lathe to make the dolls.
Iwami Kagura masks from Hamada. Because they are made by pasting layers of Sekishu washi paper, they are light and withstand vigorous dancing.
Tsutsugaki indigo dyeing from Izumo. Paste is applied with a tube, then the piece is dyed with indigo.
Woodwork and obsidian crafts from Oki. Obsidian was carried to the mainland in the Stone Age.
Moriya Cutlery Laboratory in Yasugi. It makes precision blades from specialty steel.
Nakabayashi in Izumo. It handles paper products and bookbinding.
Rice scoops from Miyajima. It is regarded as the birthplace of the shamoji rice scoop, whose shape is said to have been borrowed from the biwa lute of Benzaiten.
Lathe-turned woodwork from Miyajima. Wood is turned on a lathe to make vessels.
Buddhist altars from Hiroshima. Gold leaf is applied thickly, and the work, from the wooden base to the gilding, is divided among seven trades.
Togochi kurimono from Akiota. Wood is hollowed out to make vessels.
Ikkokusai takamori-e from Hiroshima. Lacquer is built up thickly to form pictures.
Geta from Matsunaga in Fukuyama. The area once made most of Japan's geta.
Shipwrights of Innoshima. Woodworking in the lineage of the Murakami Suigun naval force.
Woodwork and kumiko latticework from Shobara. They use the area's forest resources.
Awa Shoai Shijira-ori from Tokushima. The tension of the warp threads is varied to create an uneven surface on the cloth, reducing the area that touches the skin.
Waza no Yakata in Kamiita. Visitors can try indigo dyeing and wasanbon sugar making.
Ai no Yakata in Aizumi. It uses the residence of an indigo merchant and presents the process of making sukumo.