Hakata Okiage
Padded cloth pictures in which fabric is plumped with cotton and attached to a board. They have been used as decorations for festivals such as Gion Yamakasa.
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Padded cloth pictures in which fabric is plumped with cotton and attached to a board. They have been used as decorations for festivals such as Gion Yamakasa.
Kozo bark is boiled with wood ash, and the paper is made one sheet at a time without chemicals. It has been handed down in Chikugo since the Muromachi period.
Stone lanterns carved from Aso welded tuff. The stone is soft and easy to work, and moss takes to it readily.
It exhibits the tools and materials of Kurume kasuri. The processes of binding, dyeing and weaving can be followed in order.
An exhibition hall in the Koishiwara ware production area. Works from the kilns are displayed together in one place.
An exhibition hall in the Agano ware production area. Visitors can see works from the kilns and the history.
A technique for interior fittings in which hundreds of small grooved pieces are interlocked to form geometric patterns, without nails or metal fittings.
A furniture production area that began with the skills of ship carpenters in the Muromachi period. Its output is the highest in Japan.
A plant that fires sanitary ware. TOTO was founded in Kokura in 1917.
An Aizu lacquerware workshop. Lacquer is applied in layers and decorated with maki-e, kinmushikui-nuri and other techniques.
Aizu cotton. A striped cotton cloth that, being thick and sturdy, has long been used for farm work clothes.
Geta made of Aizu paulownia. Aizu paulownia has a fine grain, is light and warps little.
The local history museum of Odate. It exhibits magewappa and the history of the mines.
Lacquerware from Kawatsura in Yuzawa. Lacquer is applied to the wooden base again and again, and the pieces are decorated with chinkin and maki-e.
A production-area association for Kawatsura lacquerware. It covers the processes for magnolia, horse chestnut, and other wood bases, and lacquer.
Gotenmari from Yurihonjo. Handballs wound with silk thread and embroidered with patterns.
The Namahage of Oga. It presents the techniques for making the straw garments and masks, and the New Year's Eve ritual.
A dashi and mentsuyu food factory in Minakami. It accepts hands-on production experiences.
Crest painting from Kiryu. Crests are painted in by hand.
Tie-dyeing from Ota. Joshu cotton is bound and dipped in indigo.
Chusen dyeing from Takasaki. A stencil is laid on the cloth and dye is poured from above, dyeing both sides at once.