Hokuyo Glass and Tsugaru Vidro
A workshop that blows Tsugaru Vidro glass. Techniques originally used to make glass floats for fishing moved into craft.
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A workshop that blows Tsugaru Vidro glass. Techniques originally used to make glass floats for fishing moved into craft.
Thin beech boards are rolled up to make vessels. It uses beech from Aomori Prefecture and has its factory in Nishimeya.
It houses lacquered vessels unearthed from the Korekawa Site. It conveys the lacquer techniques of the Jomon period.
The remains of a large settlement of the Jomon period. The post holes of a large pillar-supported building remain, and it is a World Cultural Heritage site.
Many layers of lacquer are applied and then polished down to bring out the pattern. There are four techniques, including kara-nuri and nanako-nuri, and it is an Important Intangible Cultural Property.
A pottery studio in Hirosaki that fires Tsugaru ware. The ware began in the Edo period as the official kiln of the domain, died out once and was later revived.
A pottery studio in Hachinohe that fires Hachinohe ware. The ware was revived in the Showa era after the kilns of the domain period had died out.
Clay dolls made in Shitakawara, Hirosaki. The pigeon whistle is well known.
Bamboo baskets of Tsugaru. Nemagari bamboo and other materials are woven into baskets for daily use.
Thin boards of Aomori hiba are bent into containers. Hiba resists rot and has a strong fragrance.
Old cloth is torn into strips for the weft and woven again. A Nanbu sakiori workshop in Hachinohe.
A kite made by pasting washi onto a hiba wood frame. It is painted with warrior pictures and has a distinctive shape that is wide at the top.
Tsugaru forged blades. Base iron and steel are forge-welded, forged, and sharpened. It makes kitchen knives, nata hatchets, and sickles.
Geta hollowed out of paulownia. Tsugaru paulownia has a tight grain and is light and resistant to moisture.
Hina doll accessories of Shizuoka. Small furnishings to be set out on the hina tiers are made. Suruga has continued as a production area for hina accessories.
Hina dolls of Shizuoka. The head and costume are made up and the doll is dressed.
Turned woodwork of Shizuoka. In a production area for furniture and wooden models, the lathe is turned.
Maki-e of Suruga. Pictures are drawn in lacquer and gold powder is sprinkled on.
Hari geta of Suruga. Paper or cloth is applied to the base of the geta.
Menpa of Ikawa, Shizuoka. Lunch boxes made by bending local wood rather than Kiso cypress and coating it with lacquer.