Obori Soma Ware
Double-walled cups that stay cool to hold; every kiln was evacuated after 2011 and is rebuilding elsewhere.
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Double-walled cups that stay cool to hold; every kiln was evacuated after 2011 and is rebuilding elsewhere.
Weaving thread one-sixth the width of a human hair - a small district holding a world record for thinness.
Its whole face is built from lucky symbols: crane eyebrows, turtle whiskers, and pine, bamboo and plum in the sideburns and beard, to a design commissioned by the local lord.
Thick striped cotton the domain spread as farmers' workwear, each district with its own stripe.
Flowers painted onto candles for altars in winter, when no real blossom could be found.
Three weaving traditions using mountain vines and grasses, kept alive as winter handwork.
Guardian lions at local shrines, a record of provincial stonemasons' skill.
On the shore of Lake Senba, built around Yokoyama Taikan and Tsune Nakamura, with French modern painting alongside.
Arata Isozaki's twisting tetrahedral tower marks a centre that treats art, music and theatre as equals.
Where Okakura Tenshin moved his art academy; the misty new Nihonga style was born on this coast.
One of the few museums tracing modern Japanese ceramics as a whole, centred on Itaya Hazan and Kosei Matsui.
Founded by an art dealer; its strangest room holds 400 palettes actually used by famous painters.
A pottery town with no house style: over 300 potters live here, each working their own way.
A shrine-run museum holding medieval jars from Japan's six ancient kilns.
A 2.7-metre straight sword of the Nara period - among the largest surviving Japanese blades.
Japan's only museum of seal carving - an art that sits between calligraphy and sculpture.
Centred on Shigeru Morita, who painted Kurokawa Noh again and again.
Silk floss drawn into thread by hand without twisting, then woven on a back-strap loom; UNESCO Intangible Heritage.
Lanterns cut from Tsukuba granite by a town of stonemasons working since the Edo period.
Among the tallest bronze statues on earth - the Nara Great Buddha would fit in its palm.
Paper so strong it was used for ledgers and firemen's coats, once reserved for the Mito domain.
Vegetables and fruit carved in fine relief around the hall - shrine carpentry at close range.
Stone rakan figures ranged across a slope, no two faces alike.
Paper is still made in midwinter, when cold water makes the fibres bind best.