Hakata Gion Yamakasa
UNESCO Intangible Cultural Heritage. Before dawn on 15 July, the floats race through Hakata in the Oiyama.
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UNESCO Intangible Cultural Heritage. Before dawn on 15 July, the floats race through Hakata in the Oiyama.
A late Maekawa building, holding everything from Buddhist sculpture to contemporary art, low along a park lake.
The only museum in the world systematically collecting modern and contemporary Asian art, and inviting its artists to work here.
Holds the work of Takashima Yajuro, a recluse who painted the same single candle again and again.
Warp packed dense and beaten with heavy weft, so the sash creaks when tightened; its pattern derives from Buddhist implements.
Unglazed and then painted, the surface kept deliberately matt so the skin reads as skin.
Two square tubes projecting horizontally from a hilltop - nicknamed the binoculars, and a key early Isozaki.
At the heart of a cultural centre the Bridgestone founder gave his home town, built around two painters born here.
Said to have been invented by a twelve-year-old girl who noticed the pattern in a faded cloth; now an Important Intangible Cultural Property.
Built inside like a miniature temple, and finished by seven separate trades in sequence.
A single bamboo strip wound as a spiral for the frame, and the picture painted from inside so it shows when lit.
Its chatter-marked surfaces are cut by holding a blade to the spinning pot; Yanagi held it up as the model of useful beauty.
Founded by Korean potters and redirected to tea ware under Kobori Enshu; known for throwing extraordinarily thin.
A tea kiln opened by Korean potters under the Hosokawa lords, light in the hand and marked by running glaze.
Eighty thousand objects from a sacred island, all National Treasures - five centuries of state offerings left untouched.
Where the gold seal was found; a tied island whose very geography explains the ancient sea routes.
Thin boards bent with heat and stitched with cherry bark, made originally for shrine ritual.
Unglazed clay dolls, best known for a bird-shaped whistle; one workshop still keeps the moulds.
Tops made for street performance, weighted so precisely they will spin on the tip of a sword.
Timber came here by river and shipwrights' joinery turned into cabinetmaking - now Japan's largest furniture district.
Not a craft district but a scattering of individual studios, formed by people who moved here for the coast.
Six thousand warp threads to a single sash; the density decides both the sound and the grip, so one hand oversees it all.