Kyoto City KYOCERA Museum of Art
Japan's oldest surviving public art museum building, updated by digging the ground away and sliding a glass entrance beneath it.
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Japan's oldest surviving public art museum building, updated by digging the ground away and sliding a glass entrance beneath it.
Treats craft as the equal of fine art; Fumihiko Maki's building sits quietly between a canal and a giant torii.
Three generations of collecting Rinpa and Jakuchu, in a building that descends underground away from the street.
Holds what Shokokuji and its sub-temples Kinkakuji and Ginkakuji kept, including Jakuchu's ink panels for the Golden Pavilion.
Shang and Zhou bronzes of a quality rarely found outside China, displayed close enough to read the casting.
A narrow Gion building used vertically, with a light court on the top floor as the only place the sky appears.
Four and a half centuries in one family line, from the bowls Chojiro made for Rikyu - all formed by hand, never on a wheel.
Tea utensils rearranged to the season's gathering, beside a modern sukiya house of the first rank.
A financier tea master's collection, holding the equipment of both tea and Noh in one place.
Meiji export craft only: metalwork so fine that every leg and wing of an insect is separately made.
Named for the camp of a 15th-century war where the weavers regrouped; still built on small runs and divided labour.
Paste is drawn along every outline to keep the colours apart, leaving the fine white line that identifies the technique.
Not tied to local clay: materials were brought in from everywhere to meet each commission, which is why the styles multiplied.
Mica pressed from woodblocks onto paper by hand, so the pattern appears and vanishes as the light moves.
A 120-metre hall holding 1,001 life-size Kannon; 124 survive from the 1100s, and no two faces are the same.
Six tiny Amida figures issue from the monk's mouth - the act of chanting itself rendered as sculpture.
Tadao Ando buried a concrete cylinder beside a Taisho English villa; Monet's water lilies hang inside the circle.
Kamakura-period Buddhas carved into roadside rock; the walk from temple to temple is itself the gallery.
Called a moving museum: Persian and Flemish textiles imported in the 1500s still hang on the floats every July.
Silk hard-twisted then shrunk in hot water to raise its crinkled surface; most of Japan's undyed kimono cloth is woven here.