Mie Prefectural Art Museum
Systematic in Soga Shohaku, the eccentric Edo ink painter who stayed long in this province and left his work behind.
297 entries. Some places appear in more than one collection. Confirm visits with each facility.
INSTAGRAM / 6
No posts linked to this category have been collected yet. Showing posts from the prefecture's official accounts, rotating every minute.
38 entries / page 1 of 2
Systematic in Soga Shohaku, the eccentric Edo ink painter who stayed long in this province and left his work behind.
Holds the tea bowls of Kawakita Handeishi, a banker-potter ranked in his day beside Rosanjin.
Stencils for dyeing kimono, sometimes cut with over a hundred holes per square centimetre - admired abroad as art in themselves.
Soot from burnt rapeseed oil kneaded with glue; the fineness of the particles decides the ink's colour and bleed.
Eighty percent of Japan's clay pots; the district developed a heat-proof body, and its unglazed teapots fire purple-brown.
Casting since the Edo period, from cooking pots to - today - a large share of Japan's manhole covers.
Multiple cranes folded from one sheet, still joined; a 1797 book records 49 different configurations.
Permanently shows Masuo Ikeda's late ceramic Heart Sutra series, in a sculpture garden facing the Suzuka range.
Striped cotton that swept Edo: sober enough to slip past sumptuary law, but luxurious in the quality of its thread.
Silk threads crossed on a wooden stand; the craft moved from sword cords to kimono sashes and survived.
Candle making began in the Showa period and developed as a local industry; the Japanese candle is wound from paper and rush pith.
Paper lacquered and embossed to pass as leather, made for pilgrims, lost, and recently reconstructed.
On the road between the capital and Ise, so small temples here keep an unusual number of Heian images.
Ise katagami stencils from Shiroko, Suzuka. Washi paper bonded with persimmon tannin is carved and used for stencil-dyeing kimono. There are four carving techniques.
Japanese drums from Mie. Zelkova wood is hollowed out for the body, and cowhide is stretched over it.
Fans from Hinaga, Yokkaichi. Round bamboo is split just as it is to form the ribs.
Buckets from Seki, Kameyama. Cedar staves are bound with bamboo hoops.
Takada Buddhist altars from Tsu. They are finished with a wooden base, lacquer and gold leaf.