Ohara Museum
The first museum of Western art in Japan. It holds El Greco's Annunciation.
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The first museum of Western art in Japan. It holds El Greco's Annunciation.
A tabi and school-uniform town that made Japan's first jeans; its old shuttle looms now supply the world.
Woven slowly on old looms so the yarn keeps its air; the cloth moved from ships' sails to bags.
Built around Sesshu, born in this province, and holding ink paintings by the swordsman Musashi as well.
Built on the Ikeda lords' collection, with a holding of Noh robes among the finest in Japan.
In Yumeji's home province, with his birthplace and the studio he designed himself both preserved.
A ruined copper refinery turned museum without demolition, conditioned by sun and geothermal air alone.
The oldest of the six ancient kilns: no glaze, no painting - only what ash, flame and straw leave on the clay.
A museum centered on Bizen ware, ceramics and art, from medieval storage jars to living masters - the full range of what fire alone can do.
The artworks were chosen first and the building designed around them - including a cylinder with Ryoanji's rock garden on its inner wall.
Kasuri farmers once wove for themselves; the craft died out and has been brought back.
The making of red iron-oxide pigment, which went into Kutani porcelain and Wajima lacquer alike.
For a sculptor who carved until he was 107, and who past a hundred bought thirty years' worth of timber.
Centred on the bird-and-flower painter Kinjima Keika, in a small private museum built as one with its garden.
For a painter of the Inland Sea in high-keyed colour, and the museum lets you watch him leave his teacher's manner behind.
Farm baskets with no ornament at all - the form held entirely by the strength of the weave.
Named for the castle's nickname: flowers and birds carved in relief on trays and boxes, finished in lacquer.
Recorded in 8th-century documents; a handful of workshops still make it.
The largest of Japan's five sword traditions; roughly half of all National Treasure blades were forged here.
The painter who bought the Ohara collection was a painter first; his own canvases show what his eye was trained on.
The traditional industry hall in Bizen. It displays unglazed, high-fired stoneware vessels.
The kilns of Imbe, Bizen. Climbing kilns are clustered in a town lined with chimneys.
Sakazu ware of Kurashiki. It follows in the line of the mingei folk craft movement.