Kishiwada Danjiri
Four-tonne floats take the corners at full speed in the yarimawashi.
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Four-tonne floats take the corners at full speed in the yarimawashi.
On the site of the Sumitomo residence, with holdings of Chinese painting and stone Buddhas among the best in Japan.
Forty years from conception to opening; a black box hollowed out at its centre, with the galleries hung in the void.
Every gallery is underground; above ground stands only a steel facade, the building itself invisible.
Held to be the world's finest collection of Chinese and Korean ceramics, shown in cases lit by daylight so the celadon reads true.
Fujita Denzaburo bought up treasures scattered when Meiji Japan turned on Buddhism; his Yohen Tenmoku is one of only three.
Tea utensils gathered by the founder of the Kitcho restaurants - vessels chosen by a cook's eye.
The collection of the man who built the Hankyu railway, holding the largest group of paintings by the haiku poet Buson.
Sakai mass-produced the first Japanese guns; that forging skill turned into knives, and most professional chefs' blades still come from here.
Dye poured through stencilled paste so it soaks clean through - the cloth comes out identical on both faces.
Objects said to be Michizane's own are National Treasures; the district was home to the clan that made the haniwa.
Founded on a cotton family's gift; its celadon vase and Heian manuscript are both National Treasures.
Home of the puppet theatre born in Osaka; each head is carved by a specialist and repaired down the generations.
Incense making began where the aromatic woods landed; blending and forming are still separate trades.
Thousands of tiny workshops packed together, their division of labour working as if it were one large factory.
Thick cotton from the flood plain, tough enough for sailcloth and working clothes.
The Denshokan in Sakai. It exhibits three industries of Sakai: blades, incense sticks and chusen dyeing.
Naniwa Honzome of Sakai. Tenugui cloths are dyed by chusen, in which a stencil is laid down and dye is poured on.
The Buddhist altars of Osaka. They are made by bringing together woodwork, lacquer and metalwork.