Kurokabe Square
Built around a black-plastered former bank, the district was reborn as a town of glass.
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Built around a black-plastered former bank, the district was reborn as a town of glass.
Designed by I. M. Pei. It appears at the far end of a tunnel and a suspension bridge.
The first public museum in Japan to make art brut a collecting pillar - work by makers who never trained, taken seriously.
Three pavilions seeming to float on water, including an underground tea room designed by the fifteenth Raku master himself.
Mass-produced roadside paintings sold to travellers, drawn fast to fixed subjects - later hailed by Yanagi as folk art.
One of the six ancient kilns; feldspar in the coarse clay bursts white through the surface, and fire and ash mark each pot differently.
Studio, gallery and research on one hill, hosting foreign artists to work in Shigaraki clay for over thirty years.
One of only seven National Treasure eleven-headed Kannon; villagers buried it in the earth to save it from war, and still keep it.
Where villagers, not monks, have kept the temples open and the images safe for centuries - an unusual form of custodianship.
Fine summer ramie whose kasuri patterns are made by pressing dye onto the threads with a comb.
Serving the demand of Mt Hiei and Kyoto, workshops here still handle single stages of the trade.
Armourers turned to altars in peacetime; seven separate trades now build each one.
Spread nationwide after an imperial visit; each of the eight things the badger carries stands for a virtue.
The cabinets that house the Kannon images survive village by village - the container itself a work of craft.
Lakeside reeds cut and woven into screens and thatch - wetland management and craft as a single job.
Floats decorated with merchant money, some hung with textiles brought from overseas.
Tsuzure tapestry weaving. The weft threads are raked into place with the fingernails to weave out pictures.
Koto ware from Hikone. A porcelain that flourished as a domain kiln, then died out and was revived.
Round bamboo craft from Omihachiman. Round bamboo is used as it is and assembled.
Wooden prayer beads are turned. The area has continued as a producer of beads for rosaries.
Kumihimo cords braided by hand from thread dyed with plants.