Hokkaido Asahikawa Museum of Art
Collecting around 'form in wood' - a policy that follows directly from Asahikawa's furniture industry.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
344 entries / page 1 of 15
Collecting around 'form in wood' - a policy that follows directly from Asahikawa's furniture industry.
A settlement of some thirty Ainu woodcarving workshops, where the carving is done in the open and bought directly from the maker.
Four historic banks and warehouses turned into one museum complex; the stained glass came from English churches.
A glassworks that made fishing floats and oil lamps; a hall lit by 167 of those lamps became the image of the whole town.
In a brick-making town: exhibitions of ceramics beside a workshop where visitors handle the clay themselves.
Festival floats shown beside working demonstrations of lacquer, kogin stitching and goldfish lanterns, close enough to question the makers.
A Surrealist-inflected painter from this town, shown beside the collection of lamps from around the world he assembled.
Unglazed stoneware coloured only by wood ash, using local clay and earth dug from a former reservoir.
A twelve-metre fan-shaped lantern paraded through the town - a festival in which the painters of the warrior scenes are the principals.
A seaside facility with a bathhouse looking over the bay, quietly running small exhibitions of local artists.
Fan-shaped lanterns painted with a warrior on the front and a woman on the back - a festival that compares the painter's two sides.
Three-dimensional warrior figures of wire and paper, made from nothing each year by professional makers, and used once.
Next year's giant lantern is built inside the building all year, from frame to paper, wax and paint.
Fourteen workshops under one roof, where visitors watch and try the crafts themselves.
Chests of zelkova wood fitted with hand-forged iron mounts, made by two trades working in tandem.
Nine workshops in one hamlet, where the three trades behind a Sendai chest can be watched separately.
Black slate inkstones made here for six centuries, once the source of most inkstones in Japan.
The only kokeshi lineage whose heads squeak when turned, still turned and painted in the hot-spring street.
Paper strong enough to be sewn into clothing, supplied to the Todaiji Omizutori rites.
Three thousand paper streamers, each shopping street spending a year making its own.
Fifty-kilo lantern poles balanced on foreheads and hips, standing in for ears of rice.
Warrior-doll floats carrying satirical placards on their backs; UNESCO Intangible Heritage.
Unglazed clay dolls painted in mud pigments, a folk tradition brought back from near extinction.