Okayama
Inujima Art House Project
On an island of some fifty people, Sejima scattered transparent pavilions so that walking becomes the exhibition.
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On an island of some fifty people, Sejima scattered transparent pavilions so that walking becomes the exhibition.
The fourth-largest keyhole tomb in Japan, and climbable because it is not an imperial grave - evidence Kibi rivalled the capital.
Grassland kept open by burning it every year - a landscape that exists only because people maintain it.
Stone-walled terraces along the mountain valleys, drawing the contours into visible lines.