Water Hammers of Onta
Water-driven hammers crushing clay along the valley; their sound is listed among Japan's hundred soundscapes worth keeping.
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Water-driven hammers crushing clay along the valley; their sound is listed among Japan's hundred soundscapes worth keeping.
Lava eroded into a run of pillars and walls; the scholar Rai Sanyo named it and made it famous through his writing.
A 120-metre-wide falls opening abruptly in flat farmland, cut by the river into a plateau of Aso's own ash.
Pools of hot water divided into blue, red and white by their chemistry - geology showing its colours directly.
A town in a basin ringed by rivers, grown on boat traffic and still viewed from the water.
Columnar joints from cooling Aso ash form seven kilometres of vertical wall, best seen looking up from a boat.
A primeval forest saved when the mayor refused a felling plan; a suspension bridge now crosses its canopy.
Wave-cut ridges running along the coast, the tilt of the strata showing directly as pattern.
Stone-walled paddies cut into the Kyushu range, their contour lines running in tiers across the slope.
Logs stacked for growing shiitake fill the woods; mixing conifer and broadleaf shows on the mountain as pattern.
Terraces filling a valley named in the founding myths - story and farmland lying on the same ground.
Crater lakes coloured blue and green by volcanic chemistry, shifting with season and weather.
The island where monkeys were first seen washing sweet potatoes - the first record of culture transmitted among animals.
Vineyards terraced down a slope toward the sea - farming shaping terrain into steps.
Pines planted against blown sand form a straight belt along the coast - a drawn line holding the land.
Citrus terraced on stone; hyuganatsu was discovered by chance in Akae, Miyazaki City, and is a variety native to Miyazaki, now tied to the landscape that grows it.
Vegetation stacked from subtropical to subarctic by altitude alone; even the logged stumps have grown second trees.
Over twenty volcanoes in a chain, dotted with crater lakes, and still being reshaped by each eruption.
Bathers are buried in sand heated from below - the ground itself used as the equipment.
Subtropical broadleaf forest through the island's centre - the plants and birds Tanaka Isson spent his last years painting.
Administratively Kagoshima but linguistically and architecturally closer to Okinawa - an island where the border is not the boundary.
The island of the Ryukyuan creation myth, where land is still held communally rather than owned by individuals.