Sakurajima
It is still erupting. The 1914 eruption joined it to the Osumi peninsula.
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243 entries / page 2 of 11
It is still erupting. The 1914 eruption joined it to the Osumi peninsula.
Isamu Noguchi redesigned a landfill site as one continuous sculpture; it was his last work.
A triennial whose first edition was directed by the composer Ryuichi Sakamoto, on the theme of snow and the city.
Five hundred metres of underground walkway between subway stations, used as a continuous gallery beside the commuting crowd.
The wildflower paintings known from a confectioner's wrapping paper, shown in huts scattered through a Tokachi wood - the garden is the display.
Built as a gateway to the city in a former department store, showing its food stalls and back alleys through people rather than displays.
A public square opposite the museum, with no fence and no ticket, where children walk to school between the sculptures.
Rice of different colours planted as seedlings to draw a picture in one paddy; the practice began in this village and spread nationwide.
One of Japan's three great waterfalls, beside a gorge carved into sculptural forms by water.
A private gallery that has long given young Tohoku artists their first solo shows.
A theatre and gallery kept by a town of 20,000, which served as a shelter after the 2011 disaster.
The 1967 former prefectural museum reborn as a place to make art rather than only view it.
A city gallery run by Akita University of Art, alternating student and invited shows.
The only contest where pyrotechnicians compete on their own designs, including composed 'creative' shells.
A village made by draining a lake: ruler-straight roads and fields running to the horizon.
A biennial run by the local art university, taking over empty shops and temples.
A circular gallery serving as the city's main venue for regional artists.
The route that carried safflower and rice to Kyoto, its banks unrolling like a painted scroll.
Orchards terraced across an alluvial fan, a farmed landscape that changes colour by season.
Thirty torches ten metres tall and three tonnes each, built from bamboo and straw, then set alight.
Mt Bandai reflected in flooded rice fields - one of Tohoku's defining compositions.