Nokogiriyama Quarry
Quarrying left vertical walls and rectangular voids - a landform composed entirely of straight lines drawn by people.
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Quarrying left vertical walls and rectangular voids - a landform composed entirely of straight lines drawn by people.
A passage cut downward through sandstone by hand; chisel marks cover the walls as light falls vertically.
Three hundred and seventy-five rain-fed terraces drawing contour lines that change colour with the season.
Ten kilometres of 50-metre cliffs, their horizontal strata standing like a folding screen.
Sixty kilometres of straight sand, shaped by the sardine seine nets and the huts that served them.
The lakeside where Yanagi, Shiga and Mushanokoji all lived - the landscape behind the birth of mingei.
Long narrow paddies following valleys cut into the plateau - terrain dictating the shape of farming.
Inside Tokyo Station, its galleries walled with the original 1914 brickwork uncovered during restoration.
A 30-metre mural on the atomic bomb, lost in Mexico for decades and now hung in a Shibuya station passage.
Known for its contemporary programme, and for a young-artist series it has run for over twenty years.
Projected environments that respond to visitors' movement, which established permanent digital art venues in Japan.
Japan's leading international contemporary exhibition, using docks and warehouses as its conditions, not just its rooms.
Historic bank buildings opened to artists - the model case for linking urban renewal with contemporary art in Japan.
Hiroshi Sugimoto's entire site as one work: a 100-metre gallery and a tunnel aimed exactly at the solstice sunrises.
A low white pavilion on the original pier, where art is met in the middle of the harbour rather than in a sealed room.
Fishing hamlets pressed against wave-cut rock platforms - terrain and livelihood in direct contact.
One of the world's largest rural art festivals: 760 square kilometres of farmland, where finding the works means touring the hamlets.
An existing tunnel remade as an artwork; a film of water on the floor doubles the gorge in perfect symmetry.
Two centuries of selecting colour and pattern in terrace-fed ponds - a design carried out through living animals.
A festival themed on land reclaimed from marsh, asking through art how water and soil made this place.
Nine river terraces stacked above one another - among Japan's largest, a staircase cut by water.
Contoured rice terraces covering a heavy-snow hillside - the ground on which the art festival places its works.
Four centuries of fixed nets laid out across the bay - an invisible structure drawn on water.
Japan's highest waterfall, painted into the Tateyama mandalas as the boundary between hell and paradise.