Moerenuma Park
Isamu Noguchi redesigned a landfill site as one continuous sculpture; it was his last work.
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Isamu Noguchi redesigned a landfill site as one continuous sculpture; it was his last work.
The 1967 former prefectural museum reborn as a place to make art rather than only view it.
Wooden channels built to cool water too hot to bathe in became the centrepiece of the town.
A donated private house turned gallery, its small shows viewed against the garden.
Quarrying left vertical walls and rectangular voids - a landform composed entirely of straight lines drawn by people.
Inside Tokyo Station, its galleries walled with the original 1914 brickwork uncovered during restoration.
Historic bank buildings opened to artists - the model case for linking urban renewal with contemporary art in Japan.
Hiroshi Sugimoto's entire site as one work: a 100-metre gallery and a tunnel aimed exactly at the solstice sunrises.
A low white pavilion on the original pier, where art is met in the middle of the harbour rather than in a sealed room.
Fishing hamlets pressed against wave-cut rock platforms - terrain and livelihood in direct contact.
One of the world's largest rural art festivals: 760 square kilometres of farmland, where finding the works means touring the hamlets.
An existing tunnel remade as an artwork; a film of water on the floor doubles the gorge in perfect symmetry.
Trellised vineyards covering the slopes, where Japanese winemaking began; Meiji brick cellars still stand.
A railway at 1,375 metres, a single drawn line across the plateau that photographers return to.
Thirty kilometres of cliff formed by pyroclastic flow, with halls dug sideways into the rock face.
Fields fed by Alpine groundwater, their stone channels and water wheels making a landscape out of farm equipment.
A park with no level ground anywhere; Arakawa built it under the slogan of architecture against dying, to unsettle the body's certainties.
Fuji's groundwater runs through the town centre, with stepping stones laid so people walk in the river itself.
No building at all: a 45-metre rock is the deity, and twice a year a rope is strung from its summit.
A 1931 elementary school turned over to artists; the classrooms are the studios.
A 70-metre figure that burst through the Expo's great roof; the Tree of Life inside was sealed for 48 years and reopened in 2018.
The Mint opens its grounds for one week a year, one-way, past 130 varieties of cherry planted in sequence.
Tidal salt fields once covered this coast; their divisions still show in how the land is parcelled.
The mound is gone and the stone chamber stands bare in a field; how its 77-tonne capstone was raised is still unknown.