Medicine Peddlers' Woodblocks
The peddlers who walked all Japan handed out woodblock-printed papers and prints - a channel that carried pictures to ordinary homes.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
560 entries / page 10 of 24
The peddlers who walked all Japan handed out woodblock-printed papers and prints - a channel that carried pictures to ordinary homes.
For the man who explained Zen to the West; almost nothing is displayed - the water court and silent room are the exhibit.
Three Meiji brick arsenals in a row on a wooded hill, all Important Cultural Properties.
The heirlooms of the Kaga domain's chief retainers - armour and letters marking the rank of a great house.
Kiln-site sherds trace the technique's changes, beside a working studio and climbing kiln.
Where a young Rosanjin lodged and met the Kutani potters and lacquerers who shaped everything he made later.
At the centre of the Kutani district, on the twin industries of stone quarrying and pottery.
Tadao Ando cut a long stair up the hill so that the climb itself stands for the act of thinking.
A 1950s street rebuilt at full size, its objects placed to match period photographs.
Excavated stone paving preserved exactly where it was found - the Sengoku ground lies under the museum floor.
A place to try papermaking. At the Udatsu Craft Museum, you can watch craftsmen demonstrate the work.
On a hill where over 200 medieval kilns were found, lining up the great storage jars by century.
The heart of the Kawada lacquer district, where each divided stage can be watched in the workshops next door.
Over 90 percent of Japan's spectacle frames come from here - a winter side job that became a world titanium centre.
Lacquer objects 12,000 years old from Torihama - among the earliest known use of lacquer anywhere.
Coffins hollowed from local stone show it was being worked as far back as the fifth century.
The port where refugees on Sugihara's visas came ashore, rebuilt around photographs and testimony.
One of the provincial temples founded by the state; its foundation stones still map the scale of the compound.
On the province that supplied the imperial table, with a workshop where visitors grind their own lacquer chopsticks.
Themed on the province's rivers and the people who kept living beside them despite the floods.
Shigeru Ban hung a paper-covered inverted cone over water, so its reflection becomes the mountain.
A third of Japan's jewellery is made here; cutting and setting are demonstrated in front of visitors.
One site yielded 1,116 clay figures, nearly all deliberately broken - breaking them appears to have been the ritual.
Run together with the keyhole tomb beside it, and strong in the over-ornamented pottery of the middle Jomon.