Noritake Garden
A 1904 porcelain works, keeping its brick buildings and the ornate export ware made in them.
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560 entries / page 12 of 24
A 1904 porcelain works, keeping its brick buildings and the ornate export ware made in them.
In the original loom works, with the machines still running - the path from textiles to cars made visible.
Japan's first private public library; its exhibitions treat bindings and illustrations as objects, not only texts.
The Owari Tokugawa library intact - a rare case where what a daimyo house actually read survives as a whole.
Held to be where glaze was first applied deliberately in Japan - the ash glaze invented here led on to Seto ware.
Museum and research institute together, lining up the great medieval jars made with nothing but clay and fire.
In the cloisonne district, where the setting of the silver wires can be watched and tried.
Natural history and human history in one building, organised around the bay that shaped the province.
A Western building by the architect of the Akasaka Palace, holding the robes and treasures replaced at each rebuilding.
The rebuilding shown stage by stage, with a full-size section of the sanctuary that makes the roof's thickness real.
On stencil cutting and inkstick making, with carvers working in front of visitors.
The Banko district's own hall, showing mould forming and the cutting of a teapot's built-in strainer.
The scholar who spent 35 years deciphering the Kojiki; his manuscripts survive, and the study he hung with bells.
The man who walked Ezo six times and proposed the name Hokkaido; he built a one-mat study from old timbers gathered nationwide.
In Basho's birthplace, showing his poem cards and travel drafts as calligraphy.
The building that made Hiroshi Naito's name: timber-framed storehouses standing as strongly as what they hold.
Where cultured pearls first succeeded; its Meiji exhibition pieces come apart and reassemble into different ornaments.
The palace of the unmarried imperial princess sent to serve at Ise; excavation confirmed its grid plan.
The gear of free-diving women, their cloth still stitched with star and grid marks to ward off harm.
Built around Otsu-e folk paintings and the Buddhist art of Mt Hiei, in the town that served both.
A painter who lost her dominant arm to illness and went on painting left-handed until her death at 35.
The lord's palace rebuilt in timber to hold the Ii family's red-lacquered armour and its Noh masks and robes.
The centre of research reconstructing Azuchi Castle; the ongoing argument about its form is itself the exhibition.
Floats built as stages on which children perform kabuki, covered in lacquer, metal fittings and embroidered hangings.