Gosho Aoyama Manga Factory
In the birthplace of Detective Conan's creator; the town is scattered with his characters, and even renamed its station.
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In the birthplace of Detective Conan's creator; the town is scattered with his characters, and even renamed its station.
In a circular former theatre, presenting figure sculpting as a branch of sculpture proper.
Three hundred and fifty-eight bronze swords from one pit, ranged along a wall - more than had been found in all Japan before.
For Lafcadio Hearn, who wrote Japan's ghost stories in English; the samurai house he lived in stands next door.
Three hundred and fifty-eight swords buried in four neat rows on one slope; nobody knows why.
Thirty-nine bronze bells buried nested one inside another - the largest such find in Japan.
For the army surgeon and novelist; the house he lived in until he was ten stands beside it.
On tatara ironmaking, which produced the steel for Japanese swords using only iron sand and charcoal.
The only place still smelting tamahagane for swords, in a furnace fired continuously for three days and nights.
The places named in an 8th-century gazetteer are still where it says they are - text and ground still matching.
Japan's second folk-craft museum, in converted rice warehouses that are themselves a mingei work.
In an Edo rice store on the same canal as the folk-craft museum, on the tomb culture of the Kibi region.
Folk toys arranged by district, so the same subject can be watched changing shape from region to region.
One of Japan's few museums of the ancient Near East, grown from a local collector's gift.
In the greatest of Japan's five sword provinces, with working smiths, polishers and hilt-binders on site.
This domain produced a line of Dutch-studies scholars who coined the Japanese words for oxygen and cell.
In an old farmhouse, comparing beckoning cats in clay, papier-mache and porcelain from every district.
The study of the historian Rai Sanyo survived the bomb; his calligraphy and Chinese verse are kept here.
On the technology of a shipbuilding city; its 26-metre model was built as a documentary object, rivet by rivet.
For a poet dead at thirty, on the site of his birthplace, showing his heavily revised drafts as calligraphy.
Built in the form of a samurai residence so as to sit inside the preserved townscape.
The Mori family mansion itself, holding Sesshu's sixteen-metre landscape scroll, shown each autumn.
Home of the folklorist who walked all Japan; his hundred thousand photographs record a way of life now gone.
In an indigo merchant's mansion, with the fermenting beds and the whole composting process shown at full size.