Awa Odori Kaikan
On a dance four centuries old, where each troupe's matched coats and hats work as its emblem.
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On a dance four centuries old, where each troupe's matched coats and hats work as its emblem.
A Momoyama garden built from the province's blue-green schist, composed from the colour and shape of the stone alone.
A First World War POW camp where the prisoners ran presses and workshops - and gave Japan its first performance of Beethoven's Ninth.
The province's general museum, organised around its blue-green stone and the society indigo built.
History and art in one institution, built around calligraphy and Buddhist art in the province that produced Kukai.
Inside the great garden, showing the province's everyday objects free of charge.
For the inventor Hiraga Gennai, whose kiln pressed maps and Western pictures onto the surface of pottery.
Themed on one novel; Ando gave it a triangular plan and hung an unsupported ramp through its void.
For the poet who modernised haiku by preaching sketching from life; his own drawings and sickbed manuscripts survive.
A Showa shopping street rebuilt at full size, and a major holding on the Shikoku pilgrimage.
In the city with Japan's highest output of paper products, covering everything from hand sheets to machine rolls.
On a headland with galleries cantilevered over the Pacific, holding letters whose handwriting breaks into something like drawing.
On the Chosokabe clan's castle site, covering medieval Tosa and the province's folk material.
On the river that made the paper, following the process from bark to the thinnest sheet in the world.
For the creator of Anpanman, who found his great subject in his mid-fifties, and who was also a poet.
A castaway who reached America and returned as an interpreter; copies of the phrasebook he made survive.
Japan's fourth national museum, framed to show Japanese culture as it formed through exchange with the rest of Asia.
Holds the gold seal a farmer dug up in 1784 - 2.3 centimetres of metal that anchors the start of recorded Japanese history.
The novelist's Tokyo house rebuilt full size, library and all, down to how the papers were piled.
Built around local artists including the creator of Galaxy Express 999, with 60,000 volumes free to read.
A miner painted what he remembered of the pits; his 697 works became Japan's first entry in the Memory of the World register.
At the heart of the Chikuho coalfield, keeping a mock tunnel built for rescue training.
The largest systematic collection of Kyushu ceramics, tracing Arita porcelain unbroken from the 1600s to now.
All fourteen floats on permanent view, close enough to read the depth of the lacquer.