Miyagi Zao Kokeshi Museum
In the home of Togatta kokeshi, whose big heads and radiating chrysanthemums set them apart.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
560 entries / page 5 of 24
In the home of Togatta kokeshi, whose big heads and radiating chrysanthemums set them apart.
The university's specimen collections, near the lecture hall where Lu Xun once studied.
Its first director was the playwright Hisashi Inoue; manuscripts are shown as calligraphy as much as text.
Housed in a Meiji landlord's mansion, showing the silk-raising trade that made the district.
Keeps records of Date Shigezane, one of Masamune's chief retainers, and restores tsunami-damaged material.
A 1912 bank keeping rooms for the metalsmith Shiro Sekiya, a Living National Treasure, and printmaker Tokushi Katsuhira.
Keeps the illustrated travel records of Sugae Masumi, whose sketches founded Japanese folklore studies.
A nine-metre bamboo pole hung with 46 lanterns, shown and demonstrated all year.
Wild cherry bark planed thin and pressed onto wood; airtight, and so ideal for tea caddies.
Japan's first museum for original manga drawings, holding 400,000 sheets and researching how to preserve them.
A hundred and fifty Namahage masks, one style per village - the same rite, a different face in each.
Two stone circles fifty metres across, each with a radiating 'sundial' setting at its heart.
The gear of the Matagi hunters - knives and hides shaped by the demands of the mountains.
The city's central collection on local bentwood craft and the Akita dog.
Kisho Kurokawa gave this museum of Japan's first Antarctic expedition a roof shaped like ice.
Records of the small Honjo domain, including wedding robes and household furnishings.
A copper mine worked for 1,300 years; its tunnels trace the changing technology of extraction.
An ancient frontier fort where lacquer-soaked paper survived, preserving readable documents.
The record of Japan's largest land reclamation, told through the settlers' own materials.
Home to the National Treasure Jomon Goddess: 45 cm of clay with no face, all form.
The helmet and records of Mogami Yoshiaki, showing the flamboyance of Momoyama armour.
Manuscripts from The Narrow Road to the Deep North, shown as calligraphy.
Kano Eitoku's screen of Kyoto, said to be Nobunaga's gift to Uesugi Kenshin, holding 2,500 painted figures.
Pseudo-Western offices, a thatched farmhouse and samurai armour gathered on one site.