Osaragi Jiro Memorial Museum
For the novelist behind Kurama Tengu, its brickwork matched to the Western houses on the same hill.
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For the novelist behind Kurama Tengu, its brickwork matched to the Western houses on the same hill.
Ten thousand dolls from 140 countries, showing how far one shared form diverges between cultures.
Beside a Yayoi moated settlement, where the shape of a ditched village can be walked rather than imagined.
For the creator of Doraemon, showing the originals - colour, corrections and all - rather than the printed page.
The painter's house, its studio designed by Isoya Yoshida with light arranged entirely for the work.
Objects made to hide a forbidden faith - Kannon figures concealing crosses inside them.
Home of the Katsusaka pottery type, whose middle-Jomon vessels are almost overloaded with ornament.
On the medieval Buddhist sculpture of Sagami, showing how Kamakura's style spread into the countryside.
A literature archive rich in book design and illustration - as much about the made book as the text.
For the poet and art historian whose blunt, unadorned calligraphy stands apart in modern Japanese writing.
The estate of Echigo's greatest landlord: over a hundred rooms on three hectares, with a hall spanned by single cedar beams.
Keeps the only surviving customs house of Japan's five treaty ports, built at the end of the shogunate.
Systematic on the flame-shaped Jomon pots, and on snow-country life reconstructed at full size.
Fifty-seven flame-shaped Jomon vessels designated National Treasure together - pottery rarely receives that status.
A metalworking town's archive, following a single copper sheet as hammering turns it into a vessel.
For an illustrator whose lyrical girls filled Taisho magazines, in a white building by Shozo Uchii.
The calligraphy of a begging monk whose deliberately artless line reshaped modern Japanese writing.
An island museum where exile brought court culture; its Noh masks and Buddhist images still show it.
Made only along this one river: cooking pots whose rims erupt into flame-like projections.
Among the world's oldest jade-working sites: 5,000 years ago people here were drilling and polishing the hardest stone.
Nine small museums on a hillside, treating even the tools and printing blocks of the medicine peddlers as craft.
Munakata lived here for nearly seven years and painted directly onto the walls - even the lavatory - making the house itself the work.
Holds Tateyama mandalas - paintings that mapped the mountain as heaven and hell, produced in numbers for pilgrims.
Two-thousand-year-old cedar stumps displayed still submerged - natural masses presented as sculpture.