Hokkaido Museum of Northern Peoples
Ranges Ainu material beside Sami and Inuit - the only museum in Japan that treats the whole circumpolar north as one subject.
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Ranges Ainu material beside Sami and Inuit - the only museum in Japan that treats the whole circumpolar north as one subject.
Nibutani's wood carving and bark weaving are the only Ainu crafts designated traditional by the state - and the makers still live here.
Paper-and-light figures built for one night and destroyed after it, kept here year-round inside a ribboned red steel shell.
On the site of a medieval fortress, with the extravagant hats of the Enburi harvest rite as its most striking objects.
Lantern figures as tall as a seven-storey building, on view all year - and rebuilt from scratch in the same hall each season.
Four thousand kokeshi from across Japan; only by lining them up does it become clear how differently each lineage draws a face.
A museum about demons alone, from local Onikenbai dance masks to demon faces worldwide.
Japan's main amber field, where 90-million-year-old resin is dug, polished and carved on site.
Built around a local industrialist's antiquities collection, reassembled after the tsunami.
In the home of Togatta kokeshi, whose big heads and radiating chrysanthemums set them apart.
A nine-metre bamboo pole hung with 46 lanterns, shown and demonstrated all year.
Wild cherry bark planed thin and pressed onto wood; airtight, and so ideal for tea caddies.
A hundred and fifty Namahage masks, one style per village - the same rite, a different face in each.
The city's central collection on local bentwood craft and the Akita dog.
The birthplace of the first potter to receive Japan's Order of Culture, known for his veiled hoko glaze.
Shoji Hamada built it to show the objects he learned from - other people's work, not his own, takes the lead.
In a town of toy factories, collecting mass-produced Showa toys as design objects.
Japan's first public museum devoted to dolls, in the town that has made their heads for centuries.
Where the Shirakaba writers gathered by the lake - and where Soetsu Yanagi first conceived the mingei movement.
Ten thousand dolls from 140 countries, showing how far one shared form diverges between cultures.
Among the world's oldest jade-working sites: 5,000 years ago people here were drilling and polishing the hardest stone.
Nine small museums on a hillside, treating even the tools and printing blocks of the medicine peddlers as craft.
Kiln-site sherds trace the technique's changes, beside a working studio and climbing kiln.
Where a young Rosanjin lodged and met the Kutani potters and lacquerers who shaped everything he made later.